Burt served in the Marines during the war, but now he is confined to an asylum. His experiences in the South Pacific left him mentally ill and deathly afraid of storm clouds and rain. ... See full summary »
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A little B-picture that M-G-M tossed out, barely promoted and forgot about but one that is better than some of the A-dross from Leo in the same era. Shelley Winters, after an absence of 15 ... See full summary »
Burt served in the Marines during the war, but now he is confined to an asylum. His experiences in the South Pacific left him mentally ill and deathly afraid of storm clouds and rain. Stella, his girl friend, hopes Burt's sister Betty, and his brother-in-law Lou, will take him in so as to help him recuperate. However because of their young children, Betty and Lou are afraid of inviting him to live with them. Can Burt be helped? How can he find a life outside the mental hospital? Written by
Thomas McWilliams <email@example.com>
Earnest little movie that's almost a sleeper, thanks to a solid cast, good production values, and an affecting story. Ex-Marine Burt (Meeker) is in a VA hospital suffering from periodic bouts of battle shock, especially when it rains. Meanwhile, his solid citizen sister Betty (Davis) and her husband Lou (Whitmore) live close by. Burt wants to get out of the confinement and move in with them. But Betty and Lou have two kids and are wary that the unpredictable Burt may prove a live-in hazard. The predicament is compounded by the fact that Burt saved Lou's life during the war, thus Lou has an obligation. So how these various threads get resolved forms the core of the plot.
Hats off to glamorous MGM for foregoing the usual glitz with location filming and a sturdy, if non-glamorous cast. Whatever her politics, Davis-Reagan was a fine actress, excelling at everyday roles, while Meeker at this stage was a Brando-type, though here he calibrates in non-emoting fashion. Of course, Whitmore is Whitmore, looking like an everyday guy as the role requires. Together, they make this story of post-war wounds both affecting and believable, even if in a Hollywood manner. I especially like the rapport between Burt and Lou, which ultimately relies on the male bonding so common among men in battle. Understandably, there were a number of these war trauma films made during this period. However, this obscure little B-film can hold its own even among the bigger boys.
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