Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his ... See full summary »
Peppino, a fishmonger on Campo de' Fiori, a famous Roman marketplace, works alongside Elide, a greengrocer, who has a soft spot for him, despite the fact they argue all day long... But neither Peppino, nor his friend Aurelio, the barber, are interested in getting married. Until he meets the beautiful Elsa...
Peppino De Filippo
The first two days of a marriage. Ivan, a punctilious clerk brings his virginal bride to Rome for a honeymoon, an audience with the Pope, and to present her to his uncle. They arrive early in the morning, and he has time for a nap. She sneaks off to find the offices of a romance magazine she reads religiously: she wants to meet "The White Sheik," the hero of a soap-opera photo strip. Star-struck, she ends up 20 miles from Rome, alone on a boat with the sheik. A distraught Ivan covers for her, claiming she's ill. That night, each wanders the streets, she tempted by suicide, he by prostitutes. The next day, at 11, is their papal audience. Can things still right themselves? Written by
THE WHITE SHEIK is a low-budget film set in early 1950s Rome. It concerns a newly-wed couple Ivan (Leopoldo Trieste) and Wanda (Brunella Bovo) who arrive in the city for their honeymoon. Ivan has the arrangements all planned - they will meet his uncle and aunt, see the Pope, visit the sights and enjoy a quiet evening in. However things start to go off the rails when Wanda decides to look for her hero the White Sheik (Alberto Sordi), star of a series of comic-books and films. Her enthusiasm leads her astray from the hotel and into a series of adventures involving her being transported to the film-set, being taken on a boat with the Sheik, lost in the wilderness and taken back to Rome in a strongman's automobile. Ivan tries to look for her, but ends up in a series of adventures of his own as he desperately tries to convince his relatives that everything is perfectly serene in his marital life. Fellini's film rebounds from misadventure to misadventure; it is in fact extremely funny, with wonderful performances from the three leading actors, all of whom understand the importance of gesture and facial expression. Fellini spent his early years working with clowns; it's clear that this experience informs the film. THE WHITE SHEIK has a relatively short running-time - just over 80 minutes - but it is well worth watching.
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