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Scarlet Thread (1951)

 -  Drama  -  May 1951 (UK)
5.4
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Ratings: 5.4/10 from 51 users  
Reviews: 7 user | 1 critic

Two villains team up to steal some jewelry. The robbery goes wrong and an innocent man is shot.

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(play), (screenplay), 2 more credits »
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Title: Scarlet Thread (1951)

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Cast

Complete credited cast:
...
Josephine
...
Freddie
Sydney Tafler ...
Marcon
Arthur Hill ...
Shaw
...
Maggie
Eliot Makeham ...
Jason
Harry Fowler ...
Sam
Cyril Chamberlain ...
Mason
Renee Kelly ...
Eleanor
Hylton Allen ...
The Dean
Joyce Boorman ...
Daisy
Gerald Rex ...
Youth
John Powe ...
Porter
Sheila Aza ...
Girl
Edit

Storyline

Two villains team up to steal some jewelry. The robbery goes wrong and an innocent man is shot.

Plot Summary | Add Synopsis

Plot Keywords:

based on play | See All (1) »

Genres:

Drama

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Details

Country:

Language:

Release Date:

May 1951 (UK)  »

Also Known As:

Corrida da Morte  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Soundtracks

Mayfair Stomp
(uncredited)
Music by Robert Farnon
Chappell Recorded Music Library
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User Reviews

 
Fine Brit-noir sparked by tight story and direction
28 March 2012 | by (United States) – See all my reviews

The version I watched ran almost 76 minutes, not 85 minutes, and ended abruptly. It's missing the final reel, which is a shame because this is a superior noir both in story and cinematography.

Among the fine cast is Canadian-born Arthur Hill who had not yet moved to America. Sydney Tafler and Laurence Harvey do their usual superior work. Harvey was 3 years into his career while Tafler had a full 10 years experience. The female lead was handled more than capably by Kathleen Byron whose career spanned 1938-2001.

Director Lewis Gilbert made excellent use of locations. He later directed such noirs as The Good Die Young and Cast a Dark Shadow.

The story is well-constructed because its source is a play. The mature Tafler, a Cambridge graduate and now a jewel thief, befriends the coarse, youthful, immature (but not with ladies), and emotional Harvey, who has saved his life. Tafler needs a strong right arm. Harvey wants the experience and good life that Tafler offers.

They rob a jewel in Cambridge. Forced to flee, they take refuge on the college grounds and are taken in by a master who remembers Tafler. Needless to say, a good many complications arise out of this setup.


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