John Barrington escapes from an asylum for the criminally-insane and finds refuge on the ranch of turkey-raiser Ezra Thompson. Barrington, who has suffered from amnesia, finds his memory ... See full summary »
Prologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story. "Boss", a former trapeze artist, and his wife own a cheap ... See full summary »
Ewald André Dupont
Lya De Putti
John Hamilton leaves a comfortable New York job to take up as an artist in a quiet Connecticut town. His dipso wife hates the life and falsely makes him out to be selfish, unsuccessful, and... See full summary »
Rip MacCool has learned early in life that "money talks" (and other stuff walks), as does the audience via flashbacks, and when he arrives in San Francisco, he has no qualms about being ... See full summary »
Vicious gangster Vincent Canelli pulls off a daring prison escape just moments before going to the electric chair, taking with him Peter Manning - a bank robber and cop killer who was to ... See full summary »
Edward G. Robinson,
A paroled convict's efforts to improve conditions at a boys' reform school alarm the school's corrupt warden, who has been embezzling funds from the institution. He hatches a plan to derail... See full summary »
Ewald André Dupont,
The 'Dead End' Kids,
John Barrington escapes from an asylum for the criminally-insane and finds refuge on the ranch of turkey-raiser Ezra Thompson. Barrington, who has suffered from amnesia, finds his memory returning slightly and he sets out on his mission of learning the truth about whether or not he really murdered his sweetheart and is actually insane. He goes to Los Angeles to visit his oldest-and-best friend, psychiatrist David Dunbar, who was a witness to Barrington's crime. Dunbar repeats his story to Barrington, convinces Barrington that he did commit the crime, and then betrays him to the police. However, Thompson, Connie Carter and others are not totally convinced of Barrington's guilt. Written by
Les Adams <firstname.lastname@example.org>
The previous reviewer said it was a shame this film was never shown on any cable channels. I just saw it today on TCM (Turner Classic Movies). I had never seen it before, and have to agree it is a great example of the films noir of the '50s. There is a lot of suspense in the film with a "did he do it or not?" theme, where the protagonist has a loss of memory and can't recall the crime. Mercedes McCambridge is excellent in the film, and the bar scenes give us lots of the '50-era atmosphere. There are so few movies with Mercedes McCambridge that one can see anymore, so this movie is a treat if only for being able to see her. So don't give up hope. TCM's website is a great source for info on classic movies, and you can look up the dates and times they will be showing this film again.
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