Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ...
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In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where Ellen meets and becomes involved with Lord John Brindale. This causes her to miss a rehearsal. Tom (Astaire) uses the time to dance with a hat rack and gym equipment. Later Tom and Ellen attempt a graceful dance number as the ship rolls. Upon arrival Tom holds auditions and meets Anne. There is much indecision by the siblings about their romantic partners even though they are in-the-clouds. Tom dances on the walls and ceiling of his hotel room. All ends well in this light musical. By the way, there is a vaudeville-style dance number in their show that features slapstick. It's a hoot. Written by
The dancing on the ceiling number appears to be one long continuous take. However, if you watch closely, there are at least three and possibly four very subtle cuts in this scene. See more »
In the opening scene, Fred Astaire is lounging on a throne, obviously bored. He yawns and covers his mouth with the front of his hand. Cut to the next shot and he's now covering his mouth with the back of his hand. See more »
After their act is broken up in New York, a brother/sister tap dance team (Fred Astaire and Jane Powell) travel to England and immediately fall in love with new acquaintances. Powell goes after royalty in the form of Peter Lawford and Astaire sets his eyes on Sarah Churchill. Which will win out in the end, their old dance routine or their new romantic interests? Pure Hollywood fluff here, but enjoyable for the time period nonetheless. One of the more under-rated musicals of the early-1950s. Astaire, getting up in years here, still shows amazing athleticism through the dance sequences. Not a bad time passer. 4 stars out of 5.
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