5.8/10
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16 user 2 critic

Rich, Young and Pretty (1951)

Passed | | Comedy, Musical, Romance | 9 July 1951 (USA)
Jim Stauton Rogers ('WEndell Corey'), a Texas rancher turned international diplomat, take his young daughter,Elizabeth Rogers (Jane Powell), on a trip to Paris. He is concerned that his ... See full summary »

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
Elizabeth Rogers
...
Marie Devarone
...
Jim Stauton Rogers
...
Andre Milan
...
Paul Sarnac
...
Claude Duval
...
Glynnie
...
Bob Lennart
...
Monsieur Henri Milan
Duci De Kerekjarto ...
Gypsy Leader (as Duci deKerekjarto)
...
Jean - Maitre D'
George Tatar ...
Hungarian Dancer
Katrin Tatar ...
Hungarian Dancer
Monique Chantal ...
Maid
Four Freshmen ...
Singing Quartette (as 'Four Freshmen' Quartette)
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Storyline

Jim Stauton Rogers ('WEndell Corey'), a Texas rancher turned international diplomat, take his young daughter,Elizabeth Rogers (Jane Powell), on a trip to Paris. He is concerned that his daughter might come in contact with her mother,Marie Devarone (Danielle Darrieux), a Parisian singer he met and loved more than twenty-five years ago. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

9 July 1951 (USA)  »

Also Known As:

Rica, Jovem e Bonita  »

Box Office

Budget:

$1,528,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Film debuts of Vic Damone and Fernando Lamas. See more »

Quotes

[Elizabeth has just met Andre, a Frenchman who speaks with an American accent.]
Elizabeth Rogers: That's funny. You don't speak with a French accent.
Andre Milan: My father is English, so I was educated in England.
Elizabeth Rogers: But you don't speak with an English accent.
Andre Milan: Why should I? I'm French!
See more »

Connections

Featured in The Metro-Goldwyn-Mayer Story (1951) See more »

Soundtracks

Dark is the Night
Music by Nicholas Brodszky
Lyrics by Sammy Cahn
Sung by Jane Powell
See more »

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User Reviews

 
Probably my least favorite MGM musical from the '50s...as bland as the film's title...
18 May 2010 | by (U.S.A.) – See all my reviews

RICH, YOUNG AND PRETTY is a perfect example of how not to film a musical. First of all, the script is a shambles, even if Sidney Sheldon did have a hand in it. The story is trite from beginning to end, Jane Powell's voice is completely wasted with forgettable songs, and I kept thinking how this was the sort of plot featured in so many Deanna Durbin films--but done with more skill and polish for Durbin.

As bad as the film is, there are a couple of compensations. First, Danielle Darrieux is charming and skillful in her role as Jane's mother, even tossing off a few songs in a professional manner. Her song partner, Fernando Lamas, has a rather thankless role but reveals a fine baritone voice for a couple of uninspired songs.

Wendell Corey sports a mustache and seems to be filling in for Walter Pidgeon, as someone else suggested. Nevertheless, his is a pleasantly foolish role and he plays it with style, even when forced to warble off key in a silly nightclub number.

For Jane Powell's fans, there is nothing distinctive about the songs she's given to sing. In fact, all of the best numbers are delivered by Danielle Darrieux who does well by them.

The whole plot is so irritatingly simple-minded, with Vic Damone giving his worst performance ever in a romantic leading role and never bothering to sound the least bit like the Frenchman he's supposed to be. Jane is a rich girl who doesn't find out until the film's last moments that Darrieux is the mother who deserted her father way back when. And naturally, in time for the last clinch, Jane's father decides it's okay for her to marry the Frenchman (Damone).

The artificial MGM settings are rigged to make us believe we're in Paris, but even that doesn't work. For an MGM musical of the '50s, this one is the pits. It's really a B-film wrapped up in A-film status but not making the grade.


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