Blake is in love with an aristocratic woman whose husband seriously injures him. Blake's friendship with Lord Nelson provides the basis for Blake's part in the growth of Lloyd's insurance ... See full summary »
Vinnie Holt, a single woman traveling with her toddler niece, becomes stranded at Rawhide, a desert stagecoach stop managed by stationmaster Sam Todd and his assistant Tom Owens. Owens is quickly impressed by Vinnie's independent self-confidence. Jim Zimmerman, a fugitive murderer from Huntsville Prison disguised as a deputy, and three other ruthless escapees take over the station, intent on robbing the next day's gold shipment. After murdering Sam, Zimmerman knows they must keep Tom alive in order to complete their plans. Owens does not correct Zimmmerman's assumption that Vin is his wife, correctly sensing that the misconception might be the key to her survival also. Written by
During its run on television during the early 1960s, it was retitled "Desperate Siege" in order to distinguish it from the Eric Fleming/Clint Eastwood TV series. See more »
At around 68 minutes in Tom is looking through a hole in a wall when for dramatic effect the shadow of a person outside falls on the wall.
In the next shot we see the person outside and it is clear that his shadow falls in a completely different direction. See more »
Desperate, raw emotions added to remote, isolated setting
Yes, I think "Rawhide" is a highly charged western and if I were any younger I'd be working through two boxes of popcorn while lost in this movie! It keeps you on the edge of your seat as you watch several outlaws take over the depot, all set for a robbery, and lie in wait for the coach to arrive. Also the fact is, when you combine two intense stars like Ty and Susan you're bound to get a compelling screen presence since both are always fascinating to watch. They carry the drama steadily along.
Later on in the film however, there seems a shortage of dialogue and the story tends to get bogged down in a constant gloomy atmosphere of quiet desperation.
One certainly feels the weight of isolation in this remote station along the stagecoach line in a time where lawlessness still needed to be subdued. It makes one realize how rough it must have been to live in those days of homesteading in the West.
As usual, Elam is the baddy in here and he never fails to rouse my dislike although in later life he went in for comedy in a western or two, a nice change. Hugh Marlowe is also a familiar face -- of "All About Eve" fame. On the whole it's a riveting western to the end.
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