| Shelley Winters | ... | Connie Thatcher | |
| Richard Conte | ... | Bruno Felkin | |
| Stephen McNally | ... | Lt. Kelsey | |
| Charles Bickford | ... | Hamil Linder | |
| Alex Nicol | ... | Carl Linder | |
| John McIntire | ... | Corky Mullins | |
| Tito Vuolo | ... | Barney Schriona | |
| Chubby Johnson | ... | 'General' Ball | |
| Minerva Urecal | ... | Johnnie Mae Swanson | |
| rest of cast listed alphabetically: | |||
| Irvin Berwick | ... | Gas Man (uncredited) | |
| John 'Skins' Miller | ... | Houlihan (uncredited) | |
| Robert A. O'Neil | ... | Spade-Face (uncredited) | |
| Pepito Pérez | ... | Mr. Fancy (uncredited) | |
| Syd Saylor | ... | Proprietor (uncredited) | |
| Ray Walker | ... | Neil (uncredited) | |
Directed by | |||
| George Sherman | |||
Writing credits | ||
| Ernest K. Gann | (screenplay) | |
| Ernest K. Gann | novel "Fiddler's Green" (uncredited) | |
Produced by | |||
| John W. Rogers | .... | associate producer | |
| Aaron Rosenberg | .... | producer | |
Original Music by | |||
| Frank Skinner | |||
Cinematography by | |||
| Russell Metty | (director of photography) | ||
Film Editing by | |||
| Ted J. Kent | |||
Art Direction by | |||
| Hilyard M. Brown | (as Hilyard Brown) | ||
| Bernard Herzbrun | |||
Set Decoration by | |||
| Oliver Emert | |||
| Russell A. Gausman | |||
Costume Design by | |||
| Bill Thomas | (gowns) | ||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Lew Leary | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Frank Shaw | .... | assistant director (uncredited) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Corson Jowett | .... | sound | |
Special Effects by | |||
| David S. Horsley | .... | special photography | |
Camera and Electrical Department | |||
| Philip H. Lathrop | .... | camera operator (uncredited) | |
Other crew | |||
| Harvey McDowell | .... | technical advisor | |
| Irvin Berwick | .... | dialogue director (uncredited) | |
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| The Lady from Shanghai | The Asphalt Jungle | Cry of the City | Homicide Bureau | Out of the Past |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
This film is chiefly watchable because of the fine acting performance by Richard Conte and also because of the location being San Francisco, which always seems to add a nice touch to any film. The viewer is led by the title and the opening scene of the movie to believe that it is film noir, which it is not. While it has some noir elements the story, in which Richard Conte hides out on a fishing boat, is more of a personal story of redemption, not for the tragic gambling operator played by Richard Conte, but for the boat captain's son, played by Charles Bickford. Despite the sublimely noiresque opening shot most of the camera work during the movie is uninspired and the noir opening of the movie contradicts the subsequent story. The music score by Frank Skinner is uninspired to the point of being tedious. The directing and screenplay adequately portray what is essentially a fairly weak story. Still worth watching if you like the old black and whites.