A San Francisco hood is rubbed out by rival Bruno Felkin, who himself reports the crime to Homicide Lieut. Kelsey in an alibi scheme which fails. To escape, he stows away on a fishing boat....
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A San Francisco hood is rubbed out by rival Bruno Felkin, who himself reports the crime to Homicide Lieut. Kelsey in an alibi scheme which fails. To escape, he stows away on a fishing boat. At sea, skipper Hamil Linder receives Bruno kindly, teaching him fishing; Bruno enlists Hamil's wayward son Carl to tend his slot machines. Then Carl takes an interest in Bruno's girl Connie. Climax in a storm at sea. Written by
Rod Crawford <email@example.com>
A decent picture with some strong pluses and minuses.
This film is chiefly watchable because of the fine acting performance by Richard Conte and also because of the location being San Francisco, which always seems to add a nice touch to any film. The viewer is led by the title and the opening scene of the movie to believe that it is film noir, which it is not. While it has some noir elements the story, in which Richard Conte hides out on a fishing boat, is more of a personal story of redemption, not for the tragic gambling operator played by Richard Conte, but for the boat captain's son, played by Charles Bickford. Despite the sublimely noiresque opening shot most of the camera work during the movie is uninspired and the noir opening of the movie contradicts the subsequent story. The music score by Frank Skinner is uninspired to the point of being tedious. The directing and screenplay adequately portray what is essentially a fairly weak story. Still worth watching if you like the old black and whites.
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