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Plutopia (1951)

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Mickey's on vacation at Camp Utopia. At first Pluto thinks it really is utopia: trees everywhere and a cat to chase. But the cabin rules are strict: no dogs indoors, and dogs must be ... See full summary »

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(as Charles Nichols)

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(story), (story)
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Title: Plutopia (1951)

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Cast

Uncredited cast:
...
Milton (voice) (uncredited)
Pinto Colvig ...
Pluto (voice) (uncredited)
James MacDonald ...
Mickey Mouse (voice) (uncredited)
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Storyline

Mickey's on vacation at Camp Utopia. At first Pluto thinks it really is utopia: trees everywhere and a cat to chase. But the cabin rules are strict: no dogs indoors, and dogs must be muzzled and leashed. Mickey puts Pluto out to sleep, just out of reach of his food, and the cat comes down and taunts him. Pluto falls asleep and dreams of his "Plutopia" with a subservient cat begging Pluto to bite him and catering to his every need. Written by Jon Reeves <jreeves@imdb.com>

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Plot Keywords:

cat | dog | utopia | dream | mouse | See All (17) »


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Details

Country:

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Release Date:

18 May 1951 (USA)  »

Also Known As:

Pluto i paradiset  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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User Reviews

 
A Doggie Dream
31 December 2002 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney PLUTO Cartoon.

Mickey's hound Pluto dreams of a remarkable PLUTOPIA, where he is the master and Milton the cat is his obedient, obsequious servant.

This is an enjoyable little film with an exceptionally funny performance by Milton, in his first of three Disney cartoon appearances. Mickey's participation the film is very limited.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work will always pay off.


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