Chino Valdez is a loner horse breeder living in the old west. Partly a loner by choice, and partly because, being a 'half-breed', he finds himself unwelcome almost everywhere he goes. One ... See full summary »
The story, told in eight episodes, covers different facets of the American Spirit, from racial and religious tolerance to the dangers of self-centeredness and myopic reasoning. The parables... See full summary »
A germ warfare lab has had an accident. The first theory is that one of the nasty germs has gotten free and killed several scientists. The big fear is that a more virulent strain, named The... See full summary »
Mr. and Mrs. Maitland invite Whitey to their home on a trial basis. Whitey tries to visit a friend in reform school and inmate Flip is hiding in car as Whitey leaves. Flip steals money and ... See full summary »
Outlaw Clint Hollister escapes from jail with the help of Marshal Jake Wade, because once Clint did the same for him. Jake left Clint just after, but Clint finds him back and forces Jake to... See full summary »
The temperamental Carol Maldon leaves New York behind to take control of her father's stable, she inherited. Rick Grayton is a horse racing trainer who lucked into training a champ, the ... See full summary »
Fred J. Johnson (Lloyd Corrigan) scores a hole-in-one but his next drive, using the lucky, initialed golf ball, soars out of bounds and lands near a spot where some counterfeiters are ... See full summary »
Geoffrey Holden is an elderly conman who is a lovable old man when providing his beloved granddaughter with the simple luxuries of life, yet has no qualms when working a racket devised to ... See full summary »
James Curtayne has retired from law but he returns to defend John O'Hara on a murder charge. Curtayne's drinking and rustiness result in O'Hara's being found guilty, but Curtayne makes further efforts to prove him innocent. Written by
Ed Stephan <email@example.com>
The People Against O'Hara is a slightly offbeat film to have come out in 1951. It's both a crime picture and a fairly realistic study of alcoholism. The photography is by noir tyro John Alton, and in many of its night-time and shadowy scenes the movie looks like a thriller, which it really isn't. Director John Sturges was an up and comer at the MGM of this time, and the film was one of the earlier shots at A level film-making. The cast,--Spencer Tracy, Diana Lynn, Pat O'Brien, John Hodiak--are all fine.
I can't say that the script is any great shakes, but it gets the job done. The story goes off in several directions, as it deals with everything from father-daughter love to gangsters. I like the film more than most people and think that had the script been tidied up it might have been a great movie. There are some splendid moments, and one in the courtroom in particular stands out, when a young thug delivers such a double-talking testimony that lawyer Tracy almost has a nervous breakdown while questioning him. The kid senses that Tracy is vulnerable and keeps on twisting his words deliberately, and Tracy goes for the bait. It's a tough scene to watch, alternately sad, realistic and infuriating.
Tracy plays his role as a recovering alcoholic with sincerity and a conspicuous absence of sentiment. This man is not a saint and never was. Even when clean and sober he's a far cry from perfect, and he always will be.
12 of 14 people found this review helpful.
Was this review helpful to you?