Mr. and Mrs. Maitland invite Whitey to their home on a trial basis. Whitey tries to visit a friend in reform school and inmate Flip is hiding in car as Whitey leaves. Flip steals money and ... See full summary »
In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
A ruthless Union captain is renowned throughout his prison fort as the toughest soldier in the business, capable of capturing every escaped convict under his supervision. However, when he ... See full summary »
Former seaman Clinton Jones now works at a lowly job. His daughter Ruth wants to become an actress. Clinton gets fired and Ruth rejects the advances of Fred Whitmarsh. Her father gives her ... See full summary »
Pat's a brilliant athlete, except when her domineering fiance is around. The lady's golf championship is in her reach until she gets flustered by his presence at the final holes. He wants ... See full summary »
James Curtayne has retired from law but he returns to defend John O'Hara on a murder charge. Curtayne's drinking and rustiness result in O'Hara's being found guilty, but Curtayne makes further efforts to prove him innocent. Written by
Ed Stephan <email@example.com>
According to John Sturges's inputs for the book of Emmanuel Laborie "Sturges: a filmmaker's story", John Sturges said he was frightened directing Spencer Tracy who was a living legend. At the beginning, he was just stuck on the story-board and choosing good camera angles and did not dare to interfere in Tracy's way of acting. Until the day, Tracy rehearsed a scene, while Sturges was looking at it through the eye-piece of the camera, suddenly took off his jacket and hung it on the camera lens blocking up the director's view. Then Tracy took Sturges aside and told "John, can you stop only worrying about your camera and take care about the actors because the camera is only a hungry machine and it will not be satisfied if you feed it with junk food". See more »
[Near the eel tank]
One thing about eels... give 'em air.
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The People Against O'Hara is a slightly offbeat film to have come out in 1951. It's both a crime picture and a fairly realistic study of alcoholism. The photography is by noir tyro John Alton, and in many of its night-time and shadowy scenes the movie looks like a thriller, which it really isn't. Director John Sturges was an up and comer at the MGM of this time, and the film was one of the earlier shots at A level film-making. The cast,--Spencer Tracy, Diana Lynn, Pat O'Brien, John Hodiak--are all fine.
I can't say that the script is any great shakes, but it gets the job done. The story goes off in several directions, as it deals with everything from father-daughter love to gangsters. I like the film more than most people and think that had the script been tidied up it might have been a great movie. There are some splendid moments, and one in the courtroom in particular stands out, when a young thug delivers such a double-talking testimony that lawyer Tracy almost has a nervous breakdown while questioning him. The kid senses that Tracy is vulnerable and keeps on twisting his words deliberately, and Tracy goes for the bait. It's a tough scene to watch, alternately sad, realistic and infuriating.
Tracy plays his role as a recovering alcoholic with sincerity and a conspicuous absence of sentiment. This man is not a saint and never was. Even when clean and sober he's a far cry from perfect, and he always will be.
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