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Peking Express (1951)

 -  Drama | Thriller | Action  -  August 1951 (USA)
5.6
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Ratings: 5.6/10 from 48 users  
Reviews: 3 user | 1 critic

A group of refugees fleeing Chinese Communist rule via train are beset by a gang of terrifying outlaws.

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(screenplay), (adaptation), 1 more credit »
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Title: Peking Express (1951)

Peking Express (1951) on IMDb 5.6/10

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Cast

Cast overview:
...
Michael Bachlin
Corinne Calvet ...
Danielle Grenier
...
Father Joseph Murray
Marvin Miller ...
Kwon
Benson Fong ...
Wong
Soo Yong ...
Li Elu
Robert W. Lee ...
Ti Chen
Gregory Gaye ...
Stanislaus (as Gregory Gay)
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Storyline

A group of refugees fleeing Chinese Communist rule via train are beset by a gang of terrifying outlaws.

Plot Summary | Add Synopsis

Plot Keywords:

train | spy | remake | See All (3) »


Certificate:

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Details

Country:

Language:

Release Date:

August 1951 (USA)  »

Also Known As:

O Expresso de Pequim  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Connections

Remake of Night Plane from Chungking (1943) See more »

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User Reviews

Second remake of Josef vonSternberg's Shanghai
19 September 2003 | by (Southern Arizona) – See all my reviews

Peking Express was the second remake of Josef vonSternberg's Shanghai Express. In the original film, a group of railroad passengers escaping war-torn China are overtaken by Chinese; in the first remake, Night Plane to Chungking, a plane is forced down in a jungle surrounded by Japanese troops. In Peking Express, the chief villains are Chinese again, but the passengers are now refugees of the Communists. Joseph Cotten (as a doctor) and Corinne Calvet (as a "woman of the world") are among the pilgrims threatened by Oriental outlaw Marvin Miller and his gang. The elements of social and religious hypocrisy in the original Shanghai Express are downplayed in the 1951 version, as is the shady past of leading lady Calvet (who inadequately fills the role originated by Marlene Dietrich). Peking Express is not the classic that the vonSternberg film had been, but on its own is a snappy little melodrama.

Hope you find this more useful than Petelush's posted review of this film, in which he confesses he may not have actually seen the film but describes his childhood vacations in detail? Why? Only slightly less useful than asking my cat for a film review.


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