7.4/10
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Payment on Demand (1951)

Approved | | Drama | 3 February 1951 (USA)
The film is about divorce but with flashbacks as to why divorce occurs.

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Cast

Complete credited cast:
...
Joyce Ramsey (nee Jackson)
...
David Anderson Ramsey
Jane Cowl ...
Mrs. Emily Hedges
...
Robert Townsend
...
...
Anthony Tunliffe
...
Eileen Benson
...
Diana Ramsey
...
Ted Prescott
...
Swanson
Brett King ...
Phil Polanski
...
Jim Boland
...
Mrs. Edna Blanton
Katherine Emery ...
Mrs. Gates
Lisa Golm ...
Molly
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Storyline

The film is about divorce but with flashbacks as to why divorce occurs.

Plot Summary | Plot Synopsis

Taglines:

I MADE HIM ... now I'LL break him! See more »

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

3 February 1951 (USA)  »

Also Known As:

The Story of a Divorce  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film was made before Bette Davis' comeback film, All About Eve (1950), but wasn't released until the year after. See more »

Quotes

Mrs. Emily Hedges: Be careful, Joyce. When a woman starts getting old, time can be the avalanche and loneliness - a disaster.
See more »

Connections

Featured in Stardust: The Bette Davis Story (2006) See more »

Soundtracks

A Woman's Intuition
(uncredited)
Music by Victor Young
Lyrics by Ned Washington
Sung by Bette Davis
See more »

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User Reviews

 
Divorce story somewhat ahead of its time
4 June 2011 | by (United States) – See all my reviews

When I was a kid, the next door neighbor was "divorced." You would have thought she was the town hooker. People just did not get divorced in the '50s.

Taken with that framework, 1951's "Payment on Demand" is quite interesting. The Ramseys, David and Joyce (Barry Sullivan and Bette Davis), have been married for about 21 years and have two daughters (Betty Lynn and Peggie Castle). One day, a grumpy David comes home and announces that he wants a divorce. Joyce is shocked, though she really shouldn't be. She and her husband have widely divergent values. She's an ambitious, social-climbing, greedy bitch, and he wanted to have a practice with his partner Robert (Kent Taylor) and live on a farm. The life she has driven him into has made him miserable.

In flashback, Joyce reviews their young love and early marriage, during which she manages to steer a lucrative client her husband's way -- and away from his partner Robert. When Robert finds out, an important friendship ends. When Joyce gives birth to their second child, David informs her that they're moving to San Francisco so he can work with his client's new business, and he'd like to buy a farm outside the city. Joyce may be weak from childbirth, but she manages to gather enough strength to make a scene. From there, she manages to get in with the society crowd, even though her husband tells her he doesn't like "snooty people." And on it goes.

The couple separate; Joyce finds out David is seeing someone and uses it to get an enormous settlement with the threat that she'll ruin the woman's reputation. Then she goes on a cruise and learns something. Loneliness isn't fun.

This is a somewhat old-fashioned look at divorce, focusing on loneliness and the misery of not having a man instead of a woman building a new life for herself and enjoying a sense of freedom. There's a lot of warning about what happens to older women. While some of that has truth to it, the script doesn't allow that there's anything in life that will bring happiness except marriage or companionship.

"Payment on Demand" offers Bette Davis a somewhat typical role as a controlling, difficult woman with shallow values, but one who learns a few lessons along the way. She's excellent. Jane Cowl, who had passed away by the time this film was released, is Mrs. Hedges, an older woman with a young "protege" - she's very good. Barry Sullivan is the long-suffering husband; he always worked well with these strong actresses, and he hands in a sympathetic performance here. John Sutton is a man Joyce meets on a cruise, and he's appropriately elegant.

Good film probably not appreciated today because we're so used to divorce, settlements, and infidelity. For the average person, this was big stuff in the '50s, when my mother's generation was just getting married and beginning their families.


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