At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
Joseph L. Mankiewicz
It's time for the annual London to Brighton antique car rally, and Alan McKim and Ambrose Claverhouse are not going to let their friendship stop them from trying to humiliate each other. ... See full summary »
Albert Lewin's interpretation of the legend of the Flying Dutchman. In a little Spanish seaport named Esperanza, during the 30s, appears Hendrick van der Zee, the mysterious captain of a yacht (he is the only one aboard). Pandora is a beautiful woman (who men kill and die for). She's never really fallen in love with any man, but she feels very attracted to Hendrick... We are soon taught that Hendrick is the Flying Dutchman, this sailor of the 17th century that has been cursed by God to wander over the seas until the Doomsday... unless a woman is ready to die for him... Written by
In the workroom where Stephen is repairing his race car, the words "NON FUMAR" are written on the wall, with the English words "NO SMOKING" beneath. The Spanish is incorrect: it should read "NO FUMAR". See more »
Aspirational exploration of the best of what people can be.
Ave Gardener and James Mason are perfectly cast for this epic unfolding and exploration of pure love. The love which is realised contrasts with and exceeds the self centred manifestations demonstrated by the other characters (who are colourful and vivid) and in its nobility and apparent brevity proves that context is what lends meaning to life. The final scenes are wonderfully free from restraining causes and effects with a judgement of love from....?* validating us all. The colours of the production is as intense as the mythic setting for the story and helps the suspension of disbelief. The setting is not of the same importance to the story as Shangri-la to the plot of 'Beyond the Blue Horizon' which explores similar issues of a man exploring a context to give meaning to what he is or could be. These are both aspects of the question we all eventually ask ourselves. * Insert your own conceptualisation of the divine here.
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