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Painting the Clouds with Sunshine (1951)

When boyfriend Vince Nichols won't give up his gambling, Abby joins vaudeville partners Carol and June in a trek to Las Vegas searching for millionaires, followed by playboy Ted Lansing ... See full summary »

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(screenplay), (screenplay) | 2 more credits »
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Cast

Cast overview:
...
Vince Nichols
...
Carol
...
Ted Lansing
Lucille Norman ...
Abby
...
Uncle Felix
Virginia Gibson ...
June
...
Bennington Lansing
...
Sam Parks
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Storyline

When boyfriend Vince Nichols won't give up his gambling, Abby joins vaudeville partners Carol and June in a trek to Las Vegas searching for millionaires, followed by playboy Ted Lansing with a big crush on Abby. When the girls learn that uncle Felix Hoff is going broke with his casino, Abby accepts Ted because of his wealth. Arriving to halt the nuptials is Ted's banker cousin from Boston, Bennington, and an irate Vince. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

It's the sunshine musical and nothing could be brighter! See more »

Genres:

Musical

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Details

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Release Date:

10 October 1951 (USA)  »

Also Known As:

Alâimisema Ülkesi  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Of this picture, director David Butler said, "That was the worst of the whole bunch I made. I thought it was terrible, and I think the audience agreed with me." See more »

Connections

Remake of Gold Diggers of Broadway (1929) See more »

Soundtracks

Tip-Toe thru' the Tulips with Me
(uncredited)
Music by Joseph A. Burke
Lyrics by Al Dubin
Performed by Gene Nelson, Virginia Mayo, Lucille Norman and Virginia Gibson
See more »

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User Reviews

 
Great Leroy Prinz Choreography
23 April 2011 | by (New York City) – See all my reviews

This color remake of the landmark 'Gold Diggers' series of musicals of the 1930s is a pretty limp effort, despite individual bits that are excellent. 'Cuddles' Sakall is present for his usual Bavarian doubletalk, partnered, for some reason, with Wallace Ford playing a knife-throwing dessert rat. Dennis Morgan, tailing off in his Warners' career, plays the other guy. Basically this is a typical Warners musical of the era: a lightweight, retread plot and songs lifted from the catalogue. All it misses is Doris Day and she turned down the script.

The real point of this movie is the dance numbers, featuring lead Gene Nelson with choreography by Warners' stalwart dance director Leroy Prinz. Nelson never really became a star, but he was as fine a dancer as any, averaging much more athletic and balletic than headliners Astaire and Kelly; his signature step was a leap onto a table from the floor. Prinz directs him perfectly with monochromatically colored lights that allow him to act and move without words. 'Birth of the Blues' is the real highlight of the film.

Alas, aside from those moments, it's pretty much of a rote production. See it once for the dance numbers and be done.


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