| Ida Lupino | ... | Mary Malden | |
| Robert Ryan | ... | Jim Wilson | |
| Ward Bond | ... | Walter Brent | |
| Charles Kemper | ... | Pop Daly | |
| Anthony Ross | ... | Pete Santos | |
| Ed Begley | ... | Capt. Brawley | |
| Ian Wolfe | ... | Sheriff Carrey | |
| Sumner Williams | ... | Danny Malden | |
| Gus Schilling | ... | Lucky | |
| Frank Ferguson | ... | Willows | |
| Cleo Moore | ... | Myrna Bowers | |
| Olive Carey | ... | Mrs. Brent | |
| Richard Irving | ... | Bernie Tucker | |
| Patricia Prest | ... | Julie Brent (as Pat Prest) | |
| rest of cast listed alphabetically: | |||
| Roy Alexander | ... | Town Resident (uncredited) | |
| Frank Arnold | ... | Man (uncredited) | |
| Vince Barnett | ... | George the Waiter (uncredited) | |
| Leslie Bennett | ... | Sgt. Wendell (uncredited) | |
| A.I. Bezzerides | ... | Gatos (uncredited) | |
| Ted Birdsill | ... | Town Resident (uncredited) | |
| Vernon Birdsill | ... | Town Resident (uncredited) | |
| Eddie Borden | ... | Man (uncredited) | |
| William Challee | ... | Thug (uncredited) | |
| Jimmy Conlin | ... | Doc Hyman (uncredited) | |
| Joe Devlin | ... | Bartender (uncredited) | |
| Homer Dickenson | ... | Man (uncredited) | |
| Don Dillaway | ... | Man (uncredited) | |
| Jim Drum | ... | Stretcher Bearer (uncredited) | |
| Art Dupuis | ... | Man (uncredited) | |
| Mary Dyger | ... | Posse Member (uncredited) | |
| Budd Fine | ... | Man (uncredited) | |
| Dee Garner | ... | Boy (uncredited) | |
| Ronnie Garner | ... | Boy (uncredited) | |
| Tommy Gosser | ... | Boy (uncredited) | |
| Bill Hammond | ... | Fred (uncredited) | |
| Clint Hardenbrook | ... | Posse Member (uncredited) | |
| Al Hodgson | ... | Man Walking on Snowy Hill (uncredited) | |
| Francis Jenkins | ... | Town Resident (uncredited) | |
| Jay Jenkins | ... | Boy (uncredited) | |
| Mike Lally | ... | Man (uncredited) | |
| Kate Drain Lawson | ... | Woman (uncredited) | |
| Ruth Lee | ... | Helen (uncredited) | |
| Eddie Linke | ... | Posse Member (uncredited) | |
| Al Murphy | ... | Man (uncredited) | |
| William J. O'Brien | ... | Hotel Clerk (uncredited) | |
| Nestor Paiva | ... | Bagganierri, the News Vendor (uncredited) | |
| Eugene Persson | ... | Boy (uncredited) | |
| Stephen Roberts | ... | Charlie (uncredited) | |
| Tracey Roberts | ... | Peggy Santos (uncredited) | |
| Vera Stokes | ... | Mother (uncredited) | |
| Nita Talbot | ... | Woman in Bar (uncredited) | |
| Joan Taylor | ... | Hazel (uncredited) | |
| Ken Terrell | ... | Crook (uncredited) | |
| Bill Thompson | ... | Man Walking on Snowy Hill (uncredited) | |
| Arthur Tovey | ... | Man in Restaurant (uncredited) | |
| Andy Vaughan | ... | Town Resident (uncredited) | |
| Harry Joel Weiss | ... | Boy (uncredited) | |
| Don Yager | ... | Town Resident (uncredited) | |
| Esther Zeitlin | ... | Woman (uncredited) | |
Directed by | |||
| Nicholas Ray | |||
| Ida Lupino | (uncredited) | ||
Writing credits | ||
| A.I. Bezzerides | (screenplay) | |
| A.I. Bezzerides | (adaptation) and | |
| Nicholas Ray | (adaptation) | |
| Gerald Butler | (novel "Mad with Much Heart") | |
Produced by | |||
| John Houseman | .... | producer | |
| Sid Rogell | .... | executive producer | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| George E. Diskant | (director of photography) | ||
Film Editing by | |||
| Roland Gross | |||
Casting by | |||
| Dick Stockton | (uncredited) | ||
Art Direction by | |||
| Ralph Berger | |||
| Albert S. D'Agostino | |||
Set Decoration by | |||
| Harley Miller | |||
| Darrell Silvera | |||
Makeup Department | |||
| Mel Berns | .... | makeup artist | |
| Larry Germain | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| William Dorfman | .... | assistant director (uncredited) | |
Art Department | |||
| Johnny Peacock | .... | sketch artist (uncredited) | |
Sound Department | |||
| Phil Brigandi | .... | sound | |
| Clem Portman | .... | sound | |
Special Effects by | |||
| Harold E. Stine | .... | special effects (as Harold Stine) | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
| Virginia Majewski | .... | musician: viola d'amour | |
| Bernard Herrmann | .... | conductor (uncredited) | |
| Paul Sawtell | .... | composer: stock music (uncredited) | |
| Roy Webb | .... | composer: stock music (uncredited) | |
Other crew | |||
| Louis Shapiro | .... | location manager (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
On Dangerous Ground is a flawed favourite, boasting an exceptional performance from Robert Ryan as a man as much attracted as repulsed by his own capacity for violence - the look on his face before beating a suspect into the hospital, the almost sexual glee tinged with disgust as he repeats "Why do you make me do it?" to justify his own imminent enjoyment to himself give him a disturbingly raw emotional violence that's far more worrying than anything his fists can do. Even Ward Bond's distraught and vengeful father of a murder victim is disturbed by the joy of the hunt he finds in that face. Nicholas Ray's camera-work is similarly on the brink of falling to pieces in the opening city section, eavesdropping in and out of windows and windscreens before erupting into a brutal alley chase shot with a bold use of hand-held camera that's still seems shockingly vital for a 50s studio picture. They're both matched blow for blow by Bernard Herrmann's strikingly violent score, with a main title like a sword slashing through flesh and striking bone but with passages beautifully underlining the loneliness and sadness behind the savagery. Mad With Much Heart indeed.
Even the prolonged section with Ida Lupino's blind woman and the possibility of another, more compassionate way of life avoids mawkishness, not least because pity is neither sought nor given. Only the miraculous ending doesn't work. Whether this is due to the 10 minutes of studio-imposed cuts and the re-editing and restructuring the film went through during more than a year on the shelf or whether it was always a problem we'll probably never know (it would have been nice to have included the script as an extra, especially since Eddie Mueller's scripted audio commentary on the R1 DVD is often awkwardly delivered and often lacks the substance of others in the Film Noir boxed set). There is definitely the feeling that the whole third act of the movie has gone, making Ryan's decision seem almost arbitrary and not allowing us to see if he really has changed back on his home ground. Indeed, it probably would have been better to have ended the film a minute earlier with the almost purgative drive back to the city. But so much of what has gone before is so remarkable that it's a failure you can forgive.