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Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because he was poor. But he wants to test the family before leaving his money to them. He takes a room in their home and a job in the father's shop. He anonymously grants them $100,000. Harriet Blaisdell moves the family into a mansion and makes plans to marry her daughter Millicent off to a socialite rather than her soda jerk boyfriend Dan. The money goes to their heads, and they soon find themselves broke, back in their old house, and back to their old lives. Father back in his shop, Millicent engaged to Dan, and everyone seemingly much happier. Hoping they learned their lesson, Fulton takes his leave of the family. Written by
Ed Stephan <firstname.lastname@example.org>
In the library scene, Millie approaches Dan and asks: "What are you reading?", to which he responds: "'It'. Something which I evidently haven't got." Millie responds: "Why, I think you have, Dan. I think you have lots of 'it'". This is a reference to Elinor Glyn's 1927 novel 'It'. Glyn popularized the word 'it' as a euphemism for 'sex appeal'. See more »
You've a lovely family, Millicent. It could have been my family if you hadn't been so darn obstinate!
Has Anybody Seen My Gal is directed by Douglas Sirk and written by Joseph Hoffman and Eleanor H. Porter. It stars Rock Hudson, Piper Laurie and Charles Coburn. Music is by Herman Stein and cinematography by Clifford Stine. It's 1928 and plot finds Coburn as wealthy Samuel Fulton, who now he is older and has no family of his own decides to leave his wealth to the family of his first love, the Blaisdells. Worming his way into the family's lives, he secretly grants them $100,000 and observes as money greatly changes the family. And not for the better!
Glorious Technicolor, sumptuous period detail and a funny picture laced with a caustic edge, Has Anybody Seen My Gal is a darn fine movie from the Sirk/Hudson stable. True, it's guilty of layering on the nostalgia, but the feel good factor that pulses throughout ensures the film remains a crowd pleaser. With song and dance also featuring, picture is frothy in its telling of how money can corrupt those who were once of sound standing. Yes, it's a message movie, but it's told with such an assuredness by Sirk and acted with fine ebullience by the cast, particularly the wonderful Coburn, that it becomes a movie comfortably recommended to those in need of a pick me up in this new and hurried world we live in. 7/10
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