| David Farrar | ... | Giles Gordon | |
| Nadia Gray | ... | Alix Delaisse nee Malinay | |
| Maurice Teynac | ... | Louis Malinay | |
| Gilles Quéant | ... | Inspector Deffand | |
| Gérard Landry | ... | Pierre Chaval | |
| June Clyde | ... | Claire | |
| Robert Ayres | ... | Walter | |
| Clive Morton | ... | Dr. Coulson | |
| Eugene Deckers | ... | Armand | |
| Ina De La Haye | ... | 'Mere Roget' | |
| Martin Benson | ... | White Cap | |
| Richard Molinas | ... | Driver | |
| Jeanne Pali | ... | Madame Colloni (as Jehanne Pali) | |
| Marcel Poncin | ... | Blind Man | |
| rest of cast listed alphabetically: | |||
| Michael Allen | ... | Raoul (uncredited) | |
| Pierre Chaminade | ... | Policeman (uncredited) | |
| Guy De Monceau | ... | Francois (uncredited) | |
| Andreas Malandrinos | ... | Customer in Cafe Max (uncredited) | |
| Dana Wynter | ... | Casino Extra (uncredited) | |
Directed by | |||
| Anthony Pelissier | |||
Writing credits(in alphabetical order) | ||
| Winston Graham | writer | |
Produced by | |||
| Hugh Stewart | .... | producer | |
Original Music by | |||
| William Alwyn | |||
Cinematography by | |||
| Guy Green | |||
Film Editing by | |||
| John Seabourne Sr. | |||
Art Direction by | |||
| Alex Vetchinsky | |||
Costume Design by | |||
| Pierre Balmain | |||
| Julie Harris | |||
Sound Department | |||
| Gordon K. McCallum | .... | sound mixer | |
| John W. Mitchell | .... | sound recordist | |
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| Stage Fright | Appaloosa | Kind Hearts and Coronets | Satan Met a Lady | The List of Adrian Messenger |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb UK section | Add this title to MyMovies |
Like many Pinewood Studios movies of this era, the cinematography runs like a stage play and this leaves the spotlight firmly on the actors. Both Nadia Gray and David Farrar play their roles adequately though rather wooden. I like the way that casting works in this period. Even before they open their mouths you can tell they are up to no good and this is particularly so for Maurice Teynar as the evil brother. Great touches when the blind Farrar stumbles around Chaval's dark appartment and each area he comes too lights up as if through his senses. Budgets were obviously short on the burning taxi in the valley which looks like someone was holding a lighter to the set! Still worth a view on late night TV.