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Night Into Morning (1951)

 -  Drama | Romance  -  8 June 1951 (USA)
6.9
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Ratings: 6.9/10 from 153 users  
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Berkeley university professor adjusts (using alcohol) to tragic fire deaths of wife & son.

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(original screenplay), (original screenplay)
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Title: Night Into Morning (1951)

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Cast

Cast overview, first billed only:
...
Philip Ainley
John Hodiak ...
Tom Lawry
...
Mrs. Katherine Mead (as Nancy Davis)
Lewis Stone ...
Dr. Horace Snyder
...
Girl Next Door
Rosemary DeCamp ...
Mrs. Annie Ainley
Dawn Addams ...
Dottie Phelps
Jonathan Cott ...
Chuck Holderson
...
Mrs. Niemoller
Gordon Gebert ...
Russ Kirby
Harry Antrim ...
Sam Andersen
Katherine Warren ...
Mrs. Margaret Andersen
Mary Lawrence ...
Edith Bottomly - Waitress / Student
Herb Vigran ...
Joe - the Bartender
Otto Waldis ...
Dr. Franz Niemoller
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Storyline

Philip Ainley is a happily-married English teacher at a major USA university, whose life is turned upside down when his wife and child are killed by an explosion and fire in their home. Ainley's associate teacher, Tom Lawry, and the secretary of the department, Katherine Mead, a widow, do what tan to comfort him after the tragedy. As time goes by, Lawry thinks that nothing further can be done and becomes jealous of Katherine's continued efforts to help Ainley. Ainley, following an outward calm during the funeral and following days, tries to escape his sad anxiety through alcohol, and then via a suicide attempt. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Plot Keywords:

university | teacher | alcohol | fire | widow | See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

8 June 1951 (USA)  »

Also Known As:

People in Love  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Film debut of Dawn Addams. See more »

Connections

Featured in The Metro-Goldwyn-Mayer Story (1951) See more »

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User Reviews

 
Perceptive Look at Loss
8 January 2014 | by (Australia) – See all my reviews

While looking through the TCM listing, found this rarity. Might have given it a miss, but was drawn to it by the title. The first review I read put me off, but with a cast like this (and again that title) took a chance....very pleased I did.

My introduction to the screenplay writing skills of Karl Tunberg came after seeing "Ben Hur". When I found that 'Night Into Morning' was his original story, just had to see it. It's hard to know if his credited co-writer Leonard Spigelglass ("All Through the Night" '41 ~ "Mystery Street '50) collaborated on the original story or perhaps adapted chapters after the event. There are some sections that could be seen as perhaps, changing tone - but this would also be expected from a story of this nature - people dealing with grief go through several phases.

Films with this theme are rare and often can be depressing, but not this handling. All characters are credible and the script and direction are in harmony. Tunberg's dialogue is non stop and full of character. It's not a film I would have expected from MGM and as you might expect, in the declining decade of this studio, it's a modest production ~ but wonderfully realized by a sterling crew.

Ray Miland (as the English Professor) is as always the consummate professional. Roles dealing with a full range of strong emotions are always difficult. Nancy Davis (Reagan) matches him with a sincere performance, after all, her character is still dealing with her own earlier loss.

John Hodiak (what a pity we lost this fine actor so early!) plays the 'thick headed' Swede who has difficulty in reading both his professor friend's reactions, as well as his intended wife's 'awareness' of the professor's erratic behavior. The delightful Jean Hagen puts in a marvellous turn as the lonely girl across the hall and a very young Dawn Addams adds charm as the girlfriend of one of the professor's students. The themes of a Shakespearian quote, being studied in the professor's class, are used to perfection. Celia Lovsky (Mrs Peter Lorre) has a small part as a neighbor (it was her portrait that was used so well in 1955s "The Big Heat"). My wife also picked an uncredited Percy Helton as a drunk in a prison cell --whose only line is crucial to the story--

Producer: Edwin H. Knopf, himself an Actor, Writer and Director has several distinguished films to his credit..."The Seventh Cross" '44 ~ "Crossroads" '42 ~ Cry Havoc '43. Here, he's picked an un-commercial but vital project and his Director: Fletcher Markle (also an actor and writer) handles the film's theme with care and feeling. Great Director of Photography: George Folsey seems to have been around forever and has such a wide range of top films to his credit...The Bandwaggon" 53 ~ Executive Suite '54 ~ 7 Brides for 7 Brothers '54, etc.

Some could be unimpressed by the professor's closing remarks "Go with God", but this is apt for the films themes and gives a measure of hope where today's filmmakers leave their audiences in total despair. Hope-less.

The TCM copy broadcast in Australia did not look like a re-mastered print, still it's better than some I've seen. Recommended for thoughtful viewing - unfortunately it seems to be unavailable on DVD.


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