In the post-war, the sixteen year-old teenager Eiko seeks out the geisha Miyoharu in the district of Gion, in Kyoto asking her to be a "maiko" (apprentice of geisha). Eiko explains that her... See full summary »
In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over ... See full summary »
Ishun is a wealthy, but unsympathetic, master printer who has wrongly accused his wife and best employee of being lovers. To escape punishment, the accused run away together, but Ishun is certain to be ruined if word gets out.
Special Forces commander Captain Tadamori returns to Kyoto after successfully defeating the uprising of pirates in the western sea of Japan. But because the high courtiers dislike career ... See full summary »
Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for ... See full summary »
In Tokyo in 1888, Kikunosuke Onoue, the adoptive son of an important actor, discovers that he is praised for his acting only because he is his father's heir, and that the troupe complains ... See full summary »
Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as ... See full summary »
Two years after the foundation of Musashino city, alongside a war almost about to end, Akiyama Michiko, descendant of an old samurai, and therefore rooted in traditional values, is an unhappy woman married to an opportunist, cold and extremely selfish intellectual man who doesn't even love her and would take advantage of her if necessary.
The story might be somewhat simple and boring to those not used to Japanese cinema, but the exceptional thing here is the outstanding camera work. Mizoguchi was one of the pioneering directors of Japanese cinema and his filmmaking style was ahead of its time.
The many sequence shots throughout the entire film are to be taken into account when watching this film; they point out Mizoguchi's amazing skills in filmmaking. It really looks like a modern film, or at least it seemed that way to me; I would have never thought this was from 1951.
For filmmaking students or film buffs this is a hidden gem, just as the entire Mizoguchi filmography is. It is really a shame that he is so underrated.
My score: 9.3/10
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