In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives ... See full summary »
In 1923, in the province of Shinshu, the widow and simple worker of a silk factory Tsune Nonomiya (O-Tsune) decides to send her only son to Tokyo for having a better education. Thirteen ... See full summary »
Kiyone Sakurai, an apprentice swordmaker makes a sword for his guardian, Kozaemon Onoda. Onoda breaks the sword while defending his lord which eventually leads to his death at the hands of ... See full summary »
A socially committed film about the feudal state of many Japanese women in 1946. Hiroko Hosokawa, a female lawyer, defends Mrs. Asakura, who suffocated her child in her grief after her ... See full summary »
Two years after the foundation of Musashino city, alongside a war almost about to end, Akiyama Michiko, descendant of an old samurai, and therefore rooted in traditional values, is an unhappy woman married to an opportunist, cold and extremely selfish intellectual man who doesn't even love her and would take advantage of her if necessary.
The story might be somewhat simple and boring to those not used to Japanese cinema, but the exceptional thing here is the outstanding camera work. Mizoguchi was one of the pioneering directors of Japanese cinema and his filmmaking style was ahead of its time.
The many sequence shots throughout the entire film are to be taken into account when watching this film; they point out Mizoguchi's amazing skills in filmmaking. It really looks like a modern film, or at least it seemed that way to me; I would have never thought this was from 1951.
For filmmaking students or film buffs this is a hidden gem, just as the entire Mizoguchi filmography is. It is really a shame that he is so underrated.
My score: 9.3/10
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