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The Model and the Marriage Broker (1951)

Approved  |   |  Comedy  |  November 1951 (USA)
7.1
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Ratings: 7.1/10 from 374 users  
Reviews: 12 user | 4 critic

Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married ... See full summary »

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Title: The Model and the Marriage Broker (1951)

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
Kitty Bennett
Scott Brady ...
Matt Hornbeck
...
Mae Swasey
...
George Wixted
Michael O'Shea ...
Doberman
Helen Ford ...
Emmy Swasey
Frank Fontaine ...
Mr. Hjalmer Johannson
Dennie Moore ...
Mrs. Bea Gingras
John Alexander ...
Mr. Perry
...
Dan Chancellor
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Storyline

Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married man and fixing her up with a nice radiologist. Of course things go wrong... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Sometimes even Cupid needs a little help! See more »

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

November 1951 (USA)  »

Also Known As:

The Marriage Broker  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Her role as Hazel was the first film role for Nancy Kulp. See more »

Quotes

Dan Chancellor: Beautiful up here, isn't it? Those trees. I've always liked that poem that said, "Only God can make a tree."
Mae Swasey: Yeah, but on the other hand, you gotta figure, who else would take the time?
See more »

Connections

Version of The 20th Century-Fox Hour: The Marriage Broker (1957) See more »

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User Reviews

a love song to thelma
29 August 2005 | by (United States) – See all my reviews

Thelma Ritter was a national treasure. She could combine humor and pathos, and the warmth beneath the crusty exterior was always in evidence. Her presence in any film was always one of the high points, but this one is totally hers; she probably has in it the most screen time of any film she was in and, but for the vagaries of Hollywood, should have been first-billed in the credits. She brings great compassion to the character of Mae, who has endured a great loss and as a result has found herself in a business whose goal is to help others.

Under Cukor's sensitive direction, a wonderful script is brought to life (and, in view of his purported concerns about his physical appearance, one wonders if the script's allusions to the lonely and less-than-beautiful people of the world had a particular resonance for him). Dennie Moore, who had played the saucy maid in Cukor's "Sylvia Scarlett" 16 years earlier, shows up and is again a delight.


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