Remember That Face
(1951)
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Remember That Face
(1951)
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| Complete credited cast: | |||
| Broderick Crawford | ... |
Johnny Damico
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Betty Buehler | ... |
Mary Kiernan
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| Richard Kiley | ... |
Thomas 'Tom' Clancy
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| Otto Hulett | ... |
Police Lt. Banks
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Matt Crowley | ... |
Smoothie
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| Neville Brand | ... |
Gunner
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| Ernest Borgnine | ... |
Joe Castro
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Walter Klavun | ... |
Police Sgt. Bennion
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Lynn Baggett | ... |
Peggy Clancy
(as Lynne Baggett)
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| Jean Alexander | ... |
Doris Clancy
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Ralph Dumke | ... |
Police Commissioner
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| John Marley | ... |
Tony
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Police detective Damico, outwitted by mob killer Blackie Clay, is nominally suspended; actually he goes undercover (as Tim Flynn, ex-con longshoreman) to find Clay and expose the waterfront rackets. In character, Damico throws his weight around so much that the mobsters try to get rid of him; surviving this, he begins to realize that few of those around him are what they seem. Written by Rod Crawford <puffinus@u.washington.edu>
Get "Mr. Big"-- that was the target of a lot of crime dramas back when the Kefauver Commission on Organized Crime was headlines. Here, Mr Big is Backie Clegg, the mysterious crime boss of an ocean-front city. Crawford's assigned to go undercover to get Clegg, and he better because he's already screwed-up on an underworld killing (the movie's opening scene). Crawford gets a lot of good snappy lines and a brutal knock-down-drag- out with thuggish Neville Brand, but his best scene is in a station house. There, the hefty Crawford does a finger push while leaning into a wallnot exactly standard interrogation procedure for the cops, and I'm still hurting from that one.
Nonetheless, the results are too uneven overall to reach the front rank. Following drips on a city street with a special light makes for suspenseful viewing, but what cops would really use such an undependable tracking method. Also, the mysterious Clegg is a theatrical device that doesn't mix well with the tough, realistic scenes along the waterfront. It's like someone in charge couldn't decide on a consistent approach. Still, it's a great chance to see up-and-comers in supporting roles (Bronson, Brand, and Borgnine). Then too, there's Crawford, not exactly your standard leading man. I kept thinking he and the handsome Kiley were supposed to switch roles. Yet it's Crawford's homely looks that make the movie somewhat memorable, along with a machine gun delivery that really spits out snappy lines. Anyway, be sure to catch the very last scene from the way everybody's behaving, I don't think it was in the script.