Police detective Damico, outwitted by mob killer Blackie Clay, is nominally suspended; actually he goes undercover (as Tim Flynn, ex-con longshoreman) to find Clay and expose the waterfront... See full summary »
Pretty Molly Lucian enlists the reluctant aid of psychologist Felix Milne in treating her potentially homicidal husband Adam, who refuses to see a "real" psychiatrist. Traumatized in a ... See full summary »
Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing the judge encourages them to remember the good times they have had hoping that the ... See full summary »
Julia Ross secures employment, through a rather-noisy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. Two days later, she awakens in a different house ... See full summary »
Joseph H. Lewis
Dame May Whitty,
Police detective Damico, outwitted by mob killer Blackie Clay, is nominally suspended; actually he goes undercover (as Tim Flynn, ex-con longshoreman) to find Clay and expose the waterfront rackets. In character, Damico throws his weight around so much that the mobsters try to get rid of him; surviving this, he begins to realize that few of those around him are what they seem. Written by
Rod Crawford <firstname.lastname@example.org>
In scenes set in a pawn shop and an all-night diner (apparently shot in interiors on standing street sets), actors' frosty breath can be seen even though they're supposed to be inside real businesses that would presumably have been heated. See more »
Broderick Crawford Making the Docks Safe for Us All
Off duty police detective Johnny Damico (Broderick Crawford) lets a killer slip through his hands after witnessing a mob hit. Damico is given a chance to redeem himself by going undercover to break up a waterfront crime racket and find the kingpin that ordered the hit. Damico under the assumed identity of small time New Orleans hoodlum Johnny Flynn, infiltrates the docks to find the big guy known only as Blackie Clegg. Along the way Damico comes across an assortment of characters played by then relatively unknown actors like Ernest Borgnine, Neville Brand, Richard Kiley, and John Marley. Look for Charles Bronson in one of his earliest screen appearances in an uncredited role as a dock hand.
Director Robert Parrish works a routine police procedural crime drama that was pretty common at the time, into an edge of the seat mystery. A lot of the credit has to be given to writer William Bowers who Parrish teamed up with on his previous movie Cry Danger starring Dick Powell. Both enjoy a fast paced script with tongue in cheek banter, hinting of the same style that Bowers would use almost twenty years later when he wrote the script for Support Your Local Sheriff! While an actor like Powell would seem better suited for this type role, Crawford just off an Oscar win for All the Kings Men two years before, comes off surprisingly natural as a wise cracking undercover cop.
The Mob though listed as film noir really isn't noir in the classic sense though it does have some of the elements. The Mob is an enjoyable 1950's style mystery crime drama. At a runtime of 87 minutes it breezes by and keeps you guessing. Fans of the genre will enjoy this one.
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