Miracle in Milan
(1951)
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Miracle in Milan
(1951)
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| Complete credited cast: | |||
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Emma Gramatica | ... | |
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Francesco Golisano | ... | |
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Paolo Stoppa | ... | |
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Guglielmo Barnabò | ... | |
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Brunella Bovo | ... |
Edvige
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Anna Carena | ... |
Marta, la signora altezzosa
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Alba Arnova | ... |
La statua che prende vita
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Flora Cambi | ... |
L'innamorata infelice
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Virgilio Riento | ... |
Il sergente delle guardie
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Arturo Bragaglia | ... |
Alfredo
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Erminio Spalla | ... |
Gaetano
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Riccardo Bertazzolo | ... |
L'atleta
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Checco Rissone | ... |
Il comandante in secondo
(as Francesco Rissone)
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Angelo Prioli | ... |
Il comandante in primo
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Once upon a time an old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Toto, enters an orphanage. Toto leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. The squatters discover oil in the land and Toto sees a vision of the old woman who gives him a magic dove that will grant him anything he wishes. Written by Will Gilbert
The snobs and pseudo experts consider it "a far cry from De Sica's best" The ones suffering from a serious lack of innocence will find a problem connecting to this masterpiece. De Sica spoke in a very direct way. His Italianness doesn't have the convoluted self examination of modern Italian filmmakers, or the bitter self parody of Pietro Germi, the pungent bittersweetness of Mario Monicelli, the solemnity of Visconti or the cold observation of Antonioni. De Sica told us the stories like a father sitting at the edge of his children's bed before they went to sleep. There is no attempt to intellectualize. Miracolo A Milano and in a lesser degree Il Giudizio Universale are realistic fairy tales, or what today we call magic realism. The film is a gem from beginning to end and Toto is the sort of character that you accept with an open heart but that, naturally, requires for you to have a heart. Cinema in its purest form. Magnificent.