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Miracle in Milan (1951)
"Miracolo a Milano" (original title)

7.8
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Ratings: 7.8/10 from 3,226 users  
Reviews: 15 user | 27 critic

An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. ... See full summary »

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(novel), (screenplay), 4 more credits »
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Title: Miracle in Milan (1951)

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Nominated for 2 BAFTA Film Awards. Another 4 wins. See more awards »
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Cast

Complete credited cast:
Emma Gramatica ...
Francesco Golisano ...
Paolo Stoppa ...
Guglielmo Barnabò ...
Brunella Bovo ...
Edvige
Anna Carena ...
Marta, la signora altezzosa
Alba Arnova ...
La statua che prende vita
Flora Cambi ...
L'innamorata infelice
Virgilio Riento ...
Il sergente delle guardie
Arturo Bragaglia ...
Alfredo
Erminio Spalla ...
Gaetano
Riccardo Bertazzolo ...
L'atleta
Checco Rissone ...
Il comandante in secondo (as Francesco Rissone)
Angelo Prioli ...
Il comandante in primo
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Storyline

An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. When Totò goes out in the world, he expects everyone to be open-hearted as himself, but it isn't so. Without belongings and a place to live, he soon turns up among other homeless people, living scattered in boxes and cement pipes on a vast, barren field outside Milano. With his energy and enthusiasm Totò quickly engages the outcasts in transforming the place into a small shanty town. The eccentric misfits are turned into a warm-hearted community. But among them is an egoist, a traitor. When squirts of oil suddenly springs up from the ground, he sneaks away and informs the wealthy Mr. Mobbi about it, who buys the land and tries to get rid of the outcasts. At this crucial moment, the spirit of Totò's dead mother appears, and gives him a magic dove. With its magic power he fulfills all wishes of the ... Written by Maths Jesperson {maths.jesperson1@comhem.se}

Plot Summary | Add Synopsis

Taglines:

An impudent, riotous laugh on the lives and morals of our day!

Genres:

Comedy | Drama | Fantasy

Certificate:

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Details

Country:

Language:

|

Release Date:

17 December 1951 (USA)  »

Also Known As:

Miracle in Milan  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Cesare Zavattini originally wrote this script in 1940. It was later published as a novel called "Toto the Good". See more »

Connections

Featured in Filmmakers vs. Tycoons (2005) See more »

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User Reviews

 
Fun and spend film some time thinking about the value of sincerity and kindness.
2 May 2011 | by (Spain) – See all my reviews

"Miracolo a Milano" succeeds in creating an instant rapport with "Totó",( Francesco Golisano) the orphan protagonist almost from the beginning. His innocence, his ingenuity, his kindness, his vision of a cold, cynical and hard through a clean mind that has not been sullied after visiting an orphanage, is the weapon that does deal with the greed of an old society.

Perhaps the highlight of the film is the real photography of European cities mired in a deep crisis after the WWII. Cities and survivors of the horror characters, lack, whose only link is the fable in the form of characters with magic powers to put things in place and above all to give the powerful what they deserve.

"Miracolo a Milano" is a funny comedy, and simple (though not as much as other productions of De Sica), who no longer belongs to the pure neo-realism, but still has a common theme of that movement. It tells the story of a poor neighborhood, construction, and subsequent daily life, and how to find oil in the area, a large employer will struggle to get that land and take off its curious inhabitants. Do not miss out, its nice and beautiful criticism of racism, drawing funny scene of a roast chicken, and huge lyrical breathe each of the scenes. In addition, you get excited and laugh, that's enough. It is the level of " ladri di biciclette " (a masterpiece of neo-realism), but no doubt continues to show that De Sica is a forgotten genius by many, so incomprehensible. Although it contains elements of fantasy, forms, along with " ladri di biciclette " and "Umberto D.", the great De Sica's neo-realist trilogy.

It's highly recommended, especially for those who like to post-war Italian cinema. It's to enjoy love as the great Vittorio De Sica.


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