Delilah Lee is the star of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become the order of the day.
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Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
Delilah Lee is the sar of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become the order of the day. Written by
Jeremy Perkins <firstname.lastname@example.org>
Later period Betty Grable picture gives her a chance to hoof and sing in a succession of glamorous outfits so for her fans there is plenty to enjoy within.
The problems start when the picture moves offstage. The first issue is Betty's leading man. It's not just that he's played by the less than fascinating MacDonald Carey but the character is a buffoonish, offensive sexist. It's difficult today to listen to several of the characters refer to how Carey's Jeff molded Betty into a star out of so much raw clay, as if Grable wasn't talented or intelligent enough to make it on her own. But even back in the 50's his character's condescending attitude must have made him come across as a sexist jerk.
The second problem is the script's absurd set of circumstances which stretch the bounds of logic by using the tired amnesia trope. The picture is full of quality support, Eddie Albert, Irene Ryan and Fred Clark all add a bit of spice, but it's all in the service of a weak scenario.
Bright, cheery and shallow but if you have a rainy afternoon to fill there are worse ways.
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