Aliens, contacting scientist Adam Penner, inform him that they have been on the moon for twenty thousand years, undetected due to their invisibility, and have now decided to annihilate ... See full summary »
To study a rogue planet heading for a near-miss with Earth, Prof. Elliot sets up an observatory on the foggy moors of a remote Scottish island, with his pretty daughter and Dr. Mears, a former student with a shady past. Soon after arrival of reporter John Lawrence, a ship from Planet X just happens to land near the observatory. Is the visitor (who actually looks alien) benevolent? What are Mears' real motives for trying to communicate with it? Written by
Rod Crawford <email@example.com>
Enid's car had a blow out on the night it failed. When John Lawrence went back. He simple took a small air pump and pumped the tire up. And went on about his way. When a tire blows out it destroys the tire. At the very least it would require patching before it could hold air. And in most cases the blowout is the result of a catastrophic failure of the tire. And once the tire fails. Even more damage is done to the tire before the car can be brought to a stop. The damage gets worse because you drive on the flattened tire. And the rim damages the tire. See more »
If the men don't buckle down to the job, this is going to be a village of zombies!
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The Man from Planet X, as an early 50's space invader movie, isn't among the best of that type and scarcely lives up to the hype it got at the time. It has most of the familiar elements common to sci-fi invader movies of the day: a strange ship landing from another planet (reminds you of a diving bell); a hostile alien (reminds you of a diver); a kindly old scientist; a devious assistant bent on personal gain; an attractive young lady; a handsome reporter; a headstrong police inspector; the usual enslaved villagers and the troops called in near the end to confront the ship. The atmosphere on the foggy Scottish moors masks the poor set quality. The alien communicates through musical sounds, an idea that was used much later in Close Encounters of the Third Kind. Overall, the movie is murky, uneventful and predictable. Despite its mediocrity, it is important from a historical perspective, as it was among the initial entries to the sci-fi wave to follow.
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