Jack Read, a working-class boy, wins a scholarship to a public school as part of a post-World War Two experiment in bringing boys of different social classes together. He meets much ... See full summary »
Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »
Ivan Kouznetsoff, a Russian engineer, recounts during World War II his stay in England prior to the war working on a new propeller for ice-breaking ships. Naïve about British people and ... See full summary »
A man's life is retold just after his funeral. Beginning as a track walker, Tom Garner rose through all sorts of railroad jobs to head the company. In the meantime he lost touch with his ... See full summary »
The title refers to the creatures a very poor addled old lady (Dame Edith Evans) imagines in her paranoid fantasies. They lurk behind every drip, drip, drip of a leaky faucet. They listen ... See full summary »
Now old, ill, poor, and largely forgotten, William Freise-Greene was once very different. As young and handsome William Green he changed his name to include his first wife's so that it sounded more impressive for the photographic portrait work he was so good at. But he was also an inventor and his search for a way to project moving pictures became an obsession that ultimately changed the life of all those he loved. Written by
Jeremy Perkins <firstname.lastname@example.org>
William Friese-Greene's son Claude Friese-Greene continued to develop his father's colour process and produced a series of colour travelogues of Britain in the 1920s. These never achieved contemporary commercial success but formed the basis of a very popular 3-part BBC Television broadcast The Lost World of Friese-Greene (2006), after being preserved by the British Film Institute. See more »
In 1915 when Green's three eldest sons join the army, the landlord's agent mentions that the Spanish influenza is going around. In actuality the Spanish influenza did not begin until 1918. See more »
The original thinker - the innovator - mustn't mind seeming a little foolish to his contemporaries. He must always look to his star... In the end, he may still fail. That's unimportant. If he is true to himself, he won't be too unhappy or embittered, even in failure, and will still speak for what is good.
See more »
Opening credits superimposed over tablets bearing the following inscriptions: THOMAS ALVA EDISON 1847 - 1931 THE INVENTOR OF MOTION PICTURES / ETIENNE-JULES MAREY 1830 - 1908 FONDATEUR DU CINEMA / LOUIS LE PRINCE 1842 - 1890 L'INVENTEUR DE LA CINEMATOGRAPHIE LOUIS LUMIERE 1864 - 1948 AVEC SON FRERE LE CREATEUR DU CINEMA MODERNE See more »
I'm sure it didn't hurt in the resolve of the British film industry to honor one of its pioneers and one who some claim to have been the actual inventor of motion pictures, William Friese-Greene, to have one of his grandchildren, Richard Greene as a film star in his own right. The Magic Box is a fine tribute to someone generally forgotten if known at all to American audiences especially.
Robert Donat brings his Mr. Chips character and weaves it into the character of William Friese-Greene. The story is told in flashback and in reverse order, first by his second wife Margaret Johnston from their first meeting in 1897 through their marriages and then later by Donat himself as he remembers his first wife Maria Schell. But in both remembrances, the thing that stands out is his driving obsession to capture movement on some medium. As Donat eloquently puts it, 'movement is life'.
It costs him dear, he does not get the credit he feels due him, it goes to that upstart Thomas Edison from the USA. Actually fellow Britishers George Alfred Smith and Charles Urban and Frenchmen Auguste and Louis Lumiere and Emile Reynaud all could claim pioneering contributions to the motion picture as well. Friese-Greene was a fine portrait photographer, but spent all his money on his experiments, even selling the patent he took out on his early motion picture camera.
Donat, Johnston and Schell are supported by a massive cast of the best British players doing small parts in tribute and belated recognition to the guy who now is considered if not THE inventor of motion pictures, the founder of British cinema. From Laurence Olivier in the role of an astonished policeman who is the first to see Robert Donat's breakthrough, to Bernard Miles as Donat's stuffy cousin who's worried about having the bite put on him, to young John Howard Davies as the youngest of Friese-Greene's sons, you'll recognize lots of familiar faces.
Still the film belongs to Donat as the obsessed, but touching Friese- Greene who helped give the world a universal medium of entertainment. Donat never gave a bad performance on the screen and Friese-Greene ranks among his best.
8 of 8 people found this review helpful.
Was this review helpful to you?