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Now old, ill, poor, and largely forgotten, William Freise-Greene was once very different. As young and handsome William Green he changed his name to include his first wife's so that it sounded more impressive for the photographic portrait work he was so good at. But he was also an inventor and his search for a way to project moving pictures became an obsession that ultimately changed the life of all those he loved. Written by
Jeremy Perkins <email@example.com>
In 1915 when Green's three eldest sons join the army, the landlord's agent mentions that the Spanish influenza is going around. In actuality the Spanish influenza did not begin until 1918. See more »
The original thinker - the innovator - mustn't mind seeming a little foolish to his contemporaries. He must always look to his star... In the end, he may still fail. That's unimportant. If he is true to himself, he won't be too unhappy or embittered, even in failure, and will still speak for what is good.
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Closing credits superimposed over the tablet bearing the following: WILLIAM FRIESE-GREENE 1855 - 1921 A PIONEER OF THE CINEMA See more »
Superb film often overlooked when we talk about the accomplishments of the late Robert Donat. Donat proved to be a fine character actor and too bad that he died so early; otherwise, there would have been more brilliant performances in store for him.
This film is the autobiography of William Friese Greene, who by the account of this fine film, made the moving picture literally move by camera.
The film is splendidly detailed and boasted a cast of every well known British star of that period.
If you blink an eye, you don't realize that the film goes back to his first marriage. Notice that nothing is really said about what happened to his children from both marriages.
Friese Greene was a kindly, devoted inventor who should never have married. He allowed his work to neglect his responsibilities as a husband and father. The man was a dreamer and Donat captured every movement of that dream.
This was certainly a stellar film.
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