Lullaby of Broadway (1951)

User Rating:

6.5/10   

Director:

David Butler

Writer:

Earl Baldwin (writer)

Release Date:

26 December 1951 (Sweden)

Genre:

Comedy | Musical | Romance

Plot:

Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise...

Plot Keywords:

Broadway | Has Been | Piano | Mother Daughter Relationship | Beautiful Woman

Awards:

1 win

Cast

Doris Day	...	Melinda Howard
Gene Nelson	...	Tom Farnham
S.Z. Sakall	...	Adolph Hubbell
Billy De Wolfe	...	Lefty Mack
Gladys George	...	Jessica Howard
Florence Bates	...	Mrs. Anna Hubbell
Anne Triola	...	Gloria Davis
Hanley Stafford	...	Voice of Producer
Page Cavanaugh	...	Himself
Carlo De Mattiazzi	...	Dance Specialty
Constance De Mattiazzi	...	Dance Specialty
rest of cast listed alphabetically:
John Milton Kennedy	...	The Radio Announcer (voice)
Page Cavanaugh Trio	...	Themselves

Runtime:

92 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Australia:G | Finland:S | Sweden:Btl

Company:

Warner Bros. Pictures

Trivia:

Doris Day's 10-inch Columbia LP of selections from the film score captured first place on the "Billboard" pop albums chart.

Goofs:

Factual errors: Gloria reads a copy of Variety with news on the back cover; in reality, the back cover of this publication has always been reserved for full-page ads.

Quotes:

Melinda Howard: [handing Tom a penny] There's a message on that to you from the women of the world.
Tom Farnham: In God We Trust

Movie Connections:

Spoofed in Norbert Smith, a Life (1989) (TV)

Soundtrack:

You're Getting to Be a Habit with Me

Cheesecake a la Day

If you're a pushover for Fifties movie-musicals that stress music over story, "Lullaby of Broadway" may represent that genre's prototype. This is not to say that musicals with thin storylines are necessarily bad. The success of the earlier Astaire-Rogers films depended on dancing, music, and an occasional wisecrack or a fancy bit of dialogue--in that order. "Lullaby" isn't in the class of "Top Hat" by a long way. But it does represent a trend of movie-making that Warner Brothers embarked on briefly during the early 1950's: Cheesecake a la Day ("It's a Great Feeling," "On Moonlight Bay," "By the Light of the Silvery Moon," etc.).

In her autobiography, "Doris Day: Her Own Story" (published in 1976), the actress describes her early years as a contract player for Jack L. Warner and the heated disputes she had with the autocratic movie czar regarding miscasting and bad scripts. But in "Lullaby," there is virtually no script to complain of. It's a revue, and thus, not a movie in the traditional sense. But what a revue! From Ray Heindorf's jazzy 1951 arrangement of the old title tune (from "Gold Diggers of 1935") over the opening credits, to the Prinzs' inventive choreography, this movie clicks along in high gear from one showstopper to the next.

Day also recalled in her memoirs that "Lullaby" contained, by far, the toughest dance routines of any film she ever made. One particularly challenging scene called for her to perform an intricate series of steps on a huge staircase--while weighted down in a gold-lame dress. At first, she balked, warning the crew to have an ambulance waiting after the first take. With encouragement from the director David Butler and others, however, she did manage to successfully complete the dance number.

"Lullaby of Broadway" is not the best of the Day/Warners musicals--that distinction goes to "Calamity Jane" (1953)--but it's as good as the rest. With Gene Nelson as Day's dance-partner, Billy De Wolfe as a vaudevillian-turned-valet, and the almost unbearable S. Z. "Cuddles" Sakall, as a Broadway "angel."