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Lullaby of Broadway (1951)

A showgirl returns to her New York home to visit her alcoholic mother, where she catches the eye of a Broadway producer.




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Complete credited cast:
Melinda Howard
Tom Farnham
Adolph Hubbell
Lefty Mack
Jessica Howard
Mrs. Anna Hubbell
Gloria Davis
Hanley Stafford ...
George Ferndel - Producer
Carlo De Mattiazzi ...
Dance Specialty
Constance De Mattiazzi ...
Dance Specialty


Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion. Written by Daniel Bubbeo <dbubbeo@cmp.com>

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A Resplendent Day Hits Broadway! See more »


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Release Date:

26 December 1951 (Sweden)  »

Also Known As:

As haroume mazi  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound System)



Aspect Ratio:

1.37 : 1
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Did You Know?


When George Ferndel (Hanley Stafford) recalls the show he produced for Jessie Howard (Gladys George), its title is "Pretty Lady"--the name of the show Julian Marsh (Warner Baxter) was producing in the 1933 film 42nd Street (1933). See more »


Gloria reads a copy of Variety with news on the back cover; in reality, the back cover of this publication has always been reserved for full-page ads. See more »


Adolph Hubbell: Ferndale was right, you have no eye for beautiful women.
Lefty Mack: You shouldn't judge me by my wife!
See more »


Featured in I Am Not Your Negro (2016) See more »


Lullaby of Broadway
Music by Harry Warren
Lyrics by Al Dubin
Sung by Doris Day
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User Reviews

It's Still Got That Hi Dee Hi And Boop A Doo
9 April 2010 | by (Buffalo, New York) – See all my reviews

In a different perspective of the plot for Lady For A Day, Warner Brothers gave Doris Day one of her best musical films in Lullaby Of Broadway. They even tributed Busby Berkeley somewhat in the finale number.

The story involves Doris as a young performer who has spent her childhood in the United Kingdom with money sent to her by her mother who she believes is a famous Broadway star. That's in the past tense unfortunately mom who is played by Gladys George now sings in a cheap cabaret in the seamier parts of Greenwich Village.

But Doris is such a good kid that everyone tries to keep the illusion going from former vaudeville colleagues Billy DeWolfe and Anne Triola to S.Z. Sakall whom they now work for as butler and maid. She even gets involved with rising new Broadway performer Gene Nelson. But she also innocently almost breaks up S.Z. Sakall's marriage to Florence Bates. Now there's a couple to contemplate about.

In her memoirs Doris Day said that S.Z. Sakall in real life was the same lovable uncle type that he played so well in films. And yes no one could resist pinching those cheeks either.

Gene Nelson sad to say came along just a half generation too late to become a major film star. He had the moves and he had the talent, possibly he was not a creative individual in the way that Fred Astaire or Gene Kelly was. I think he was in their league as a performer and he'd be as known as they are today if he had that creative talent that they did which is why they've become the legends they are. Maybe Nelson never got the chance they did. Anyway this was his only lead in a major motion picture and it didn't make him a star because musicals were on the downside.

Gladys George has only a few scenes, but she really makes them count when she's on screen. One of her more memorable characters in earlier years was the Texas Guinan like performer in The Roaring Twenties who carries a torch for James Cagney. When that film ends she's singing in a dive and her character could be an extension of Panama whom she played in The Roaring Twenties.

As often as not for Doris Day films Warner Brothers reached into their trunk catalog and in this case got the title song and another standard written by Harry Warren and Al Dubin, You're Getting To Be A Habit With Me. Here though they outdid themselves for Doris and Gene using stuff like Somebody Loves Me and Just One Of Those Things. When you've got George Gershwin and Cole Porter contributing to the score the rest doesn't even matter.

Watching the finale number which is the title song, sung by Doris and danced by Gene Nelson and a chorus it plays very similar to the choreographic sequences in Golddiggers of 1935 where Lullaby Of Broadway was introduced. No kaleidoscopic overhead shots that characterized those old Warner Brothers musicals from the Thirties are here, but in all other respects they seem to have copied Mr. Berkeley well.

Lullaby Of Broadway has a nice backstage plot, it's a throwback to their musicals of the Depression in many respects and it provides Doris Day with many opportunities to display singing and dancing talents. And it holds up well today.

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