John Ridd was just a boy when the villainous Carver Doone callously murdered his father. Now a young man, John has two driving passions: his thirst for revenge against the outlaw Doones, ... See full summary »
Heading west for his health, Colonel Lambeth takes his daughter Rill along. Lost on the desert they are saved by Pecos and Chito. The Colonel hires the two and the Lambeths soon find ... See full summary »
A woman, who just divorced her husband is walking down the aisle to marry for a second time, faints. She discovers that she is pregnant by her husband. She must decide whether she wants to go back to him or marry her lover.
Looks good in lush, 1950s Hollywood deep colour and the backdrops, (e.g. the castle perched on the edge of the cliff and the thundering water fall which is the only other access to the castle beyond the one road and the drawbridge), look good as well. There is the usual collection of Hollywood support actors on hand to look aggrieved. angry or resentful on cue as well so you "feel at home" when they are on screen, knowing this is from the estbalsihed stable of 1940s/50s Hollywood swash-bucklers. Apart from that, though, this does not have much going for it. Seeing the lead players in action makes you realise clearly why they never made it to the Errol Flynn, (what would HE have done with the lead role???), or even Virginia Mayo league. Even their wooden appearances could have been compensated for, however, if the whole thing, (even just the fight scenes), had had some PACE and ZEST. As it is, the whole thing comes across as a "wheel 'em on", "let's get this scene over" affair, leaving you as glad at the end as the players apparently felt that the thing is finally over. Worth watching ONCE to remind you what Hollywood was ALSO capable of as well as Flynn as Robin Hood, Colman as the Prisoner of Zenda or even Gene Kelly as D'Artagnan!
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