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The Lady Says No (1951)

 -  Comedy  -  6 January 1952 (USA)
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Ratings: 5.3/10 from 137 users  
Reviews: 12 user | 2 critic

A woman writes a best-selling book for women warning them about the "dangers" of men. A handsome photographer for a national magazine arrives in her town to do a feature story on her. Complications ensue.



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Title: The Lady Says No (1951)

The Lady Says No (1951) on IMDb 5.3/10

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Credited cast:
Joan Caulfield ...
Dorinda Hatch
Bill Shelby
Matthew Hatch
Lenore Lonergan ...
Aunt Alice Hatch
Peggy Maley ...
Jeff York ...
George Davis ...
Warf Rat Bartender
Robert Williams ...
General Schofield
Mary Lawrence ...
Rest of cast listed alphabetically:
Eddie Parker ...
Nightclub brawler


A woman writes a best-selling book for women warning them about the "dangers" of men. A handsome photographer for a national magazine arrives in her town to do a feature story on her. Complications ensue.

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Release Date:

6 January 1952 (USA)  »

Also Known As:

The Lady Says No  »

Company Credits

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Technical Specs


| (Ontario)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Crazy Credits

The opening credits show a woman's hands opening a gift card from a fancily wrapped present, which starts the credits. The next shot is the opening of the gift itself, which turns out to be a book with the title of the movie (based on a book a female author writes). See more »


The Lady Says No
Music by Emil Newman and Herbert W. Spencer
Lyrics by Mel Leven
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User Reviews

Feminist Author Learns Some New Tricks.
8 March 2005 | by (Mountain Mesa, California) – See all my reviews

Producer Frank Ross makes his only effort at directing with this feathery comedy, a vanity piece for his wife Joan Caulfield, wherein the lovely and customarily demure actress displays a widened working range disparate from her normal personae, playing here as Dorinda Hatch, feminist author of an anti-male best-seller who becomes unsettled when a rakish photographer for Life Magazine, Bill Shelby (David Niven), attempts to woo her through a sly method of blackmail. During a picture taking session for the periodical Dorinda does some mugging designed to put the impudent Shelby in his place, but the latter turns the tables on her by using a daft face made by the writer as the proof for an upcoming Life cover, refusing to give the negative to her unless she allows him to kiss her, an act leading to romantic complications that raise doubts as to the sincerity of Dorinda's feminist beliefs. The work has a simple storyline, with some fatuous scenes of slapstick, but roles are well-performed by all members of the cast, despite a great deal of predictability in the dialogue, Caulfield earning the acting laurels as she and Niven luff toward each other in romantic folly, and there are skillful turns from Henry Jones and Lenore Lonergan as a comedic pair still in love, although not without conflict. The action moves briskly with nary a break and producer/director Ross has assembled top-tier technicians to showcase Caulfield, among them James Wong Howe, cinematographer, and Orry-Kelly, costumer, in addition to production designer Perry Ferguson, and a terrific score is contributed by Arthur Lange to cap off this pleasant and humorous soufflé.

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