Three bank robbers, Eijima, Nojiri, and Takasugi, flee the police and escape into the mountains. At an inn high in the Japanese Alps, Eijima and Nojiri encounter a young woman and her ... See full summary »
During a downpour, a generous ronin and his supporting wife are stranded at a country inn. The ronin comes to the attention of a lord who wants to hire him as an instructor for his men, who treat the ronin with disrespect.
In a village subsisting on it herring fishery, a one-eyed criminal named Jakoman terrorizes the inhabitants. One of them, the son of the head of one of the fish companies by the name of ... See full summary »
Zatoichi tries to unrest the mob rule over a small village all while the gang leader's bodyguard is actually the Yojimbo, secretly taking the gang down from the inside. Will the two heroes realize in time that they are on the same side?
The Igagoe Vendetta is a famous incident from Japanese 19th century history that has been retold many times in plays (and presumably movies.) Apparently, the tale has grown with each retelling. Araki Mataemon (aka Vendetta of a Samurai, as it is called in Hulu) is an attempt to tell a realistic version of the story. Although it was directed by Kazuo Mori (best known in America for directing many of the Zaitochi movies) an argument could be made for calling this a Kurosawa movie. He wrote the screenplay, it features 4 actors from The Seven Samurai and it is clearly influenced by Rashomon, which was made two years earlier.
The movie gets off to an unpromising start with a histrionic version of the fight. It is filmed in the manner of a much older movie.The film speed is sped up, Toshiro Mifune is egregiously over acting as he mows down warrior after warrior, despite the fact that his sword never comes close to touching anyone. However, this opening scene is a superb fake out. After it is over, the narrator announces that this is how everyone imagines the incident, but that the reality was very different.The movie then commences to tell a very realistic story of the events that led to the incident, as well as the motivations and personalities of the participants.
The result is a very stately, and maybe in a couple places static, movie about the conflicts between duty, revenge, friendship and fear. The movie seems a little slow at first, but the pacing ends up paying off as the suspense builds near the end of the movie. Mori's direction lacks Kurosawa's dynamism, but he makes up for it with nice set ups and interesting asides. I was also impressed with Mifune's acting. Often when he was working for directors other than Kurosawa he could turn into a horrible ham, but here his acting was remarkably restrained, while still dominating every scene he was in.
Overall, I'd say this was a must see for all fans of Kurosawa and Japanese films.
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