Surgeon Carlo Spagnolli returns to Uganda to visit the places where his career started, hospitals founded and still continued by courageous men and women, in a country which suffered ... See full summary »
A girl of perhaps five or six is orphaned in an air raid while fleeing a French city with her parents early in World War II. She is befriended by a pre-adolescent peasant boy after she wandered away from the other refugees, and is taken in for a few weeks by his family. The children become fast friends, and the film follows their attempt to assimilate the deaths they both face, and the religious rituals surrounding those deaths, through the construction of a cemetery for all sorts of animals. Child-like and adult activity are frequently at cross-purposes, however. Written by
Doug Shafer <firstname.lastname@example.org>
In a television interview ("Vivement Dimanche Prochain", France 2, 17 April 2005) Brigitte Fossey, who played the little Paulette, revealed that the film had originally been shot as a short, and then it was later decided to extend it into a feature film. Unfortunately she had lost her milk teeth and Georges Poujouly (who plays the boy Michel) had had his hair cut to play in Nous sommes tous des assassins (1952). So, in many scenes of the movie Paulette has false teeth and Michel is wearing a wig. See more »
Paulette's mother can be seen moving after she has supposedly been killed in the bombing. The movements are especially noticeable in the closeups. See more »
There are two alternate opening credits:The main credit starts with a story book and a female hand opens the book to reveal the credits. The alternate still has the same book but this time we are introduced to the two main characters who are sitting by a lake. In this version, Michel's hand is turning the page and in between the scenes he tells Paulette that he's going to tell a story. See more »
I just saw a crappy copy of this movie, and it was still amazing despite the scratchy, shakiness of the screen. This director certainly possesses the ability to see directly from a child's perspective. The two children in this movie, Michel and little Paulette, couldn't give a s**t about anything outside their own realm. Michel lives to impress Paulette, and Paulette lives to make her dead dog less lonely. One-track minds? Yes, because this movie is about two children and their friendship. Never do Michel and Paulette submit to the pressures of responsibility or authority. The pet cemetery they slowly build throughout the movie is their passion, and no adult is going to get in their way. Anyways, my point is, this movie commits itself to portraying children in their true form. 10/10 baby.
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