In an open-air dance hall, the members of Leca's gang are relaxing with their ladies. One of them, Marie, aka "Casque d'Or" (Golden Helmet) meets Manda, a carpenter. Her man Roland belongs ... See full summary »
Michael is a private investigator with special psychic powers allowing him to subconsciously see clues in a case. He is hired to investigate the death of the very wealthy Charles who has a ... See full summary »
Captured French Resistance fighter Andre Devigny awaits a certain death sentence for espionage in a stark Nazi prison. Facing malnourishment and paralyzing fear, he must engineer an ... See full summary »
Charles Le Clainche,
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
A girl of perhaps five or six is orphaned in an air raid while fleeing a French city with her parents early in World War II. She is befriended by a pre-adolescent peasant boy after she wandered away from the other refugees, and is taken in for a few weeks by his family. The children become fast friends, and the film follows their attempt to assimilate the deaths they both face, and the religious rituals surrounding those deaths, through the construction of a cemetery for all sorts of animals. Child-like and adult activity are frequently at cross-purposes, however. Written by
Doug Shafer <firstname.lastname@example.org>
Brigitte Fossey claimed that when her family saw a newspaper ad searching for a 9 to 11 year old girl for a film, they brought her to the audition despite the fact she was only 6. She was then noticed by René Clément's wife and the major part of Paulette went to her. See more »
The poor parents are killed by a Focke-Wulf 190. This kind of plane didn't exist at the moment of the "battle of France" in May and June 1940. See more »
Never has the world of adults seemed so utterly stupid, brutal and senseless than through the eyes of two innocent children who have to deal with pain, loss, death and war. And yet, the film is gentle, subtle, inobtrusive in its portrayal of the grown-up's follies, and refreshingly unsentimental about presenting the pain and beauty of childhood.
Few other titles come to mind in which child actors have so much to bear, and they manage it effortlessly & unforgettably.
[The only thing that bothers me is the too convincing 'acting' of the dead /?/ dog...]
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