Concentration camp survivor Victoria Kowelska finds herself involved in mystery, greed, and murder when she assumes the identity of a dead friend in order to gain passage to America.
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Victoria has survived Nazi concentration by assuming the identity of one who died there. She arrives in San Francisco to see her "son" just as the boy's great-aunt dies leaving a lot of money to be inherited. Victoria falls in love with the boy's trustee Alan Spender, and they move into the mansion on Telegraph Hill. She then learns that Alan and his lover, the boy's governess Margaret, murdered an aunt and are planning the same for her. Written by
Ed Stephan <stephan@cc.wwu.edu>
Furnishings and props for the mansion interior were acquired by property master Tom Little from the estates of the Aga Khan III and David Belasco. See more »
Goofs
In the establishing shot of the house at the beginning, the fact that the water in the bay in the background never moves indicates is it a matte painting. See more »
Quotes
Alan Spender:
[to Victoria/Karin]
The trouble with you is you really don't know how to relax.
See more »
Soundtracks
"Blue Moon"
(uncredited)
Music by Richard Rodgers
Played immediately after the performance at the Chinese restaurant See more »
A concentration camp survivor assumes the identity of a wealthy woman who dies on her way to America. It doesn't get off to a great start, but gets better as it goes along. The San Francisco locations are gritty. Wise creates a terrific atmosphere and ratchets up the suspense to Hitchcockian levels. There's even a scene involving a glass of juice that is reminiscent of the glass of milk in "Suspicion," and the maid played by Baker is like Judith Anderson in "Rebecca." There are good performances from Cortese as the woman who comes to regret her get rich quick scheme and Basehart as her sinister husband; the two actors married during the filming.
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A concentration camp survivor assumes the identity of a wealthy woman who dies on her way to America. It doesn't get off to a great start, but gets better as it goes along. The San Francisco locations are gritty. Wise creates a terrific atmosphere and ratchets up the suspense to Hitchcockian levels. There's even a scene involving a glass of juice that is reminiscent of the glass of milk in "Suspicion," and the maid played by Baker is like Judith Anderson in "Rebecca." There are good performances from Cortese as the woman who comes to regret her get rich quick scheme and Basehart as her sinister husband; the two actors married during the filming.