Two sailors who are always competing against each other set their sights on the same girl. When she chooses one over the other, their friendship ends acrimoniously. However, things change ... See full summary »
Pete Garvey, foreign correspondent, has been running an impromptu adoption agency for war orphans in Paris, when an ultimatum from his erstwhile fiancée Emmadel Jones draws him back to Boston, complete with two adopted orphans to melt her heart. Too late! She's now engaged to rich, handsome Wilbur Stanley. And if Pete's not married within five days, he loses the kids. He'll have to work fast... Written by
Rod Crawford <firstname.lastname@example.org>
When Winifred seeks shelter in Garvey's home, George is on the phone. In a close-up, the phone is to his ear, but in the next medium shot, the phone is hung up, and he picks up the receiver again. See more »
Alexis Smith--another talent underused and abused by Hollywood
"Here Comes the Groom" is a better than usual musical. It's overriding virtue is the cast. Crosby is, as usual good. Wyman is extremely good as a musical star--after "Johnny Belinda," she here shows she can play virtually anything. Franchot Tone is also quite good.
However, the best performance comes from Alexis Smith, looking more glorious than ever and displaying a wonderfully relaxed and natural talent for comedy. Too bad she didn't really come into her own until 1971 and the legendary Broadway show "Follies."
"In the Cool, Cool, Cool of the Evening" is the best and best-known song in the score. I wonder what Wyman could have done in a good Broadway musical.
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