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He Ran All the Way (1951)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
19 June 1951 (USA)
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Tagline:
DYNAMITE hits the screen with their kind of love!
Plot:
Nick and his partner Al stage a payroll holdup. Al is killed, along with a policeman. Nick hides out in a public pool...
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Plot Keywords:
User Comments:
A small picture packs a big wallop
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Cast
(Complete credited cast)| John Garfield | ... | Nick Robey | |
| Shelley Winters | ... | Peggy Dobbs | |
| Wallace Ford | ... | Fred Dobbs | |
| Selena Royle | ... | Mrs. Dobbs | |
| Robert Hyatt | ... | Tommy Dobbs (as Bobby Hyatt) | |
| Gladys George | ... | Mrs. Robey | |
| Keith Hetherington | ... | Captain of Detectives | |
| Norman Lloyd | ... | Al Molin | |
| Clancy Cooper | ... | Stan, newspaper office watchman | |
| Vicki Raaf | ... | Marge, Peggy's girlfriend | |
| Robert Karnes | ... | Police Lieutenant |
Additional Details
Also Known As:
He Ran All the Way Home (UK)
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Parents Guide:
Runtime:
77 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)
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Company:
Fun Stuff
Trivia:
This was John Garfield's final film.
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Goofs:
Continuity: At about 5 minutes into the movie, Nick Robey shoots a policeman. The loading dock garage door behind the policeman is half up when he is shot. Then, a second later, as he falls off the loading dock, the garage door is nearly closed.
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Quotes:
Mrs. Robey:
If you were a man, you'd be out looking for a job.
Nick Robey: If you were a man, I'd kick your teeth in.
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Nick Robey: If you were a man, I'd kick your teeth in.
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Movie Connections:
Featured in The John Garfield Story (2003) (TV)
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Shot on what was clearly a small budget, this "noir" style thriller is a little "loose limbed" in the writing department, but good direction, good location cinematography, Waxman's superb score (you know this is an above average film score from the first notes) and some of the best screen acting on film pull it off in style.
The director manages to mesh the differing acting styles (Garfield and Winter's more internal, "method" influenced style, Royle's more technical approach and Ford's purely instinctive playing) and creates a real ensemble. One can read the actors' minds just from a telling turn of the eye, curl of the lip. Wonderful. Everyone impresses, but Winters is most sensational, showing us the character's mixed-up feelings about the magnetic, sexy character Garfield plays right from the first accidental encounter.