Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's... See full summary »
Following World War II, a retired professor approaching his autumn years finds his quality of life drastically reduced in war-torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues. Written by
Jim Beaver <email@example.com>
Akira Kurosawa in his autobiography describes this film - which was heavily edited from the director's original four-hour-and-twenty-six-minute version, by order of the studio, Shochiku - as "ruinous" to his career. Upon release, reviews of this film in the Japanese press were, according to Kurosawa, universally "scathing." ("It was as if [the reviews] were a mirror reflection of the studio's attitude toward me," he writes.) Not surprisingly, therefore, in the annual Kinema Junpo critics' poll for films released in 1951, The Idiot (1951) appears way down in the list, ranked at #18. Of all twenty five Japanese-language films that Kurosawa released from the end of the Second World War to the end of his career, this film is the only one that failed to place within the "Best Ten" list of films in the Kinema Junpo poll of its release year. In fact, it has been claimed that only the immense popularity of the film's star, Setsuko Hara, prevented the film from being a complete commercial disaster. See more »
I don't want to talk about it. I promised you I'd keep an eye on him and tell you what he was doing. But it was too...
Was it that awful?
All I know, is that I'll remember what a good man he was.
If only we could all love as he did... without hatred. What a fool I've been. *I* was the idiot.
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The imposed edit of this movie makes it impossible to rate.
Although severely mutilated, this film still distillates the genius of Kurosawa, unfortunately the artistic decisions are still made by the people who have the money, not by the people who have the talent.
For the people who have read Dostoievski's "The Idiot", I think this film will be an amazing experience. For the rest the movie probably won't be very clear, because the studio edited off over an hour of footage, which obviously crippled the movie.
That was the luck which Kurosawa's "The Idiot" ran. And many of other films too.
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