Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's... See full summary »
Following World War II, a retired professor approaching his autumn years finds his quality of life drastically reduced in war-torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues. Written by
Jim Beaver <email@example.com>
Akira Kurosawa in his autobiography describes this film - which was heavily edited from the director's original four-hour-and-twenty-six-minute version, by order of the studio, Shochiku - as "ruinous" to his career. Upon release, reviews of this film in the Japanese press were, according to Kurosawa, universally "scathing." ("It was as if [the reviews] were a mirror reflection of the studio's attitude toward me," he writes.) Not surprisingly, therefore, in the annual Kinema Junpo critics' poll for films released in 1951, The Idiot (1951) appears way down in the list, ranked at #18. Of all twenty five Japanese-language films that Kurosawa released from the end of the Second World War to the end of his career, this film is the only one that failed to place within the "Best Ten" list of films in the Kinema Junpo poll of its release year. In fact, it has been claimed that only the immense popularity of the film's star, Setsuko Hara, prevented the film from being a complete commercial disaster. See more »
Do you have any idea what sort of person Mr. Kameda is?
I certainly do. I daresay I know far better than you.
That's a lie! You couldn't possibly know.
Why not? Because you only ever think of yourself. Drunk on your own misery, you don't see the grief you cause in others.
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One of Kurosawa's least-seen films is "The Idiot". The film is set in Hokkaido, the northernmost area of Japan. Deep snow covers the earth, and is shoveled into barriers, seeps in through the ruins of a warehouse in great drifts, piles up against the windows in crescents, howls fiercely as Toshiro Mifune's character and Matsayuki Mori's "Prince Myishkin" step foot off a train into a blizzard.
Dostoevsky's great novel is the resource material.The Prince Myishkin character is Christ-like in the novel, and, as transplanted to Japan may be seen as a Boddhisatva-like character (an Avalokiteshvara or Kanon-a saint of compassion). Matsayuki Mori does an amazing job of portraying a damaged but compassionate soul..one that feels deeply the pain of those he encounters, and who speaks the truth simply, with a pure heart and an awareness of suffering. In one scene, he holds Toshiro Mifune's face between his small, gentle hands, and there is such a tender sensibility, his hands seem to communicate love and absorb the pain of Mifune's character. It is a breathtaking moment.
Toshiro Mifune is brilliantly cast as the thuggish suitor who vies with Mori for the soul of the beautiful and doomed Taeko Nasu character played with uncharacteristic drama by Setsuko Hara.
This complex, rich, layered, frightening, deeply disturbing film has been under-appreciated from the outset-beginning with the studio, which cut the film drastically (Kurosawa was outraged! *see trivia). Japanese audiences didn't understand or like the film, and other audiences have found it weird. Some of this relates directly to Donald Richie's seminal work on Kurosawa and his conclusion that "The Idiot" was a failure. Unfortunately, Richie's conclusion seems to have put replaced the nails in "The Idiot's" coffin with screws. It's very hard to pry open the film.
Sure, it is a weird film...that's what is so interesting. Kurosawa has made one of the most powerfully strange films, while stretching the range of his actors (have you ever imagined you would see Setsuko Hara like this? She's terrifying in her desperation and pain!) giving the scenes a grounded reality, and allowing us to enter into the lives of these tragic, doomed souls.
This is one of the finest films of world cinema, although one of the least-viewed.
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