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Cops and Robbers (1951)
"Guardie e ladri" (original title)

7.7
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Ratings: 7.7/10 from 640 users  
Reviews: 4 user | 2 critic

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Title: Cops and Robbers (1951)

Cops and Robbers (1951) on IMDb 7.7/10

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3 wins & 1 nomination. See more awards »
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Cast

Credited cast:
...
Ferdinando Esposito
Aldo Fabrizi ...
Brigadiere Bottoni
Pina Piovani ...
Esposito's Wife
Ave Ninchi ...
Giovanna, Bottoni's Wife
Rossana Podestà ...
Bottoni's Daughter
Ernesto Almirante ...
Esposito's Father
Carlo Delle Piane ...
Libero, Esposito's Son
William Tubbs ...
Mr. Locuzzo, the Tourist (as William Thubbs)
Gino Leurini ...
Esposito's Brother-in-law
Mario Castellani ...
Amilcare
Aldo Giuffrè ...
Esposito's Partner
Armando Guarnieri
Pietro Carloni ...
Commissario
Rest of cast listed alphabetically:
Aldo Alimonti
Riccardo Antolini
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Storyline

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Genres:

Comedy | Drama

Certificate:

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Details

Country:

Language:

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Release Date:

29 November 1951 (Italy)  »

Also Known As:

Gendarmes et voleurs  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Italian censorship visa # 10313 delivered on 23-10-1951. See more »

Connections

Remade as Politseiskiye i vory (1997) See more »

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User Reviews

 
It is an entertaining and good comedy by Monicelli that makes us laugh and reflect.
12 May 2011 | by (Spain) – See all my reviews

"Esposito" (Toto) is a thief who cons tourists in Rome, but has the bad luck to return to coincide with one of his victims. Then they began a long chase by the police "Bottoni" (Aldo Fabrizzi) that finally was stopped. But in an oversight, "Esposito" manages to flee. Bottoni's superiors advise that, if it fails to capture the con man, will be without work. So "Bottoni" to capture, will enter the family circle "Esposito".

In the beginning, the director Mario Monicelli signed several films in collaboration with Steno, already showing his great talent for comedy, as in this case. Despite the comic tone that logically chairs the film, we must also highlight the successful scenes that it offers, about postwar Italian society, so the script is showing us the U.S. aid, poverty in urban suburbs, the economic troubles are subjected to destitute families, etc. Thus, the more inquires "Bottoni" on the "Esposito", most closely identified with their problems, and help pay interest at the beginning of his family, ends up becoming an honest solidarity.

I highlight two interesting scenes, a very funny, when (Carlo Delle Piane), "Espósito's son" read the writing he does at school about his dad, and talk with "Bottoni" and "Esposito"in the portal, it is the key scene that sums up the feelings of the two protagonists.

The film has a successful screenplay and great performances, with the famous Toto, and Aldo Fabrizi. Monicelli's hand is felt in the opening sequence, very witty and well told, and masterfully finished with a family meal.


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