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Golden Salamander (1950)

6.3
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Ratings: 6.3/10 from 283 users  
Reviews: 11 user | 2 critic

A man is torn between tackling a sinister crime syndicate or turning a blind eye to the suffering it creates.

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(novel), , 2 more credits »
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Title: Golden Salamander (1950)

Golden Salamander (1950) on IMDb 6.3/10

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Cast

Complete credited cast:
...
...
Anna (as Anouk)
...
Rankl
Walter Rilla ...
Miles Malleson ...
Jacques Sernas ...
Max
...
Agno
...
Marcel Poncin ...
Dommic
Kathleen Boutall ...
Mme. Guillard
Eugene Deckers ...
Police Chief
Percy Walsh ...
Guillard
Sybille Binder ...
Mme. Labree
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Storyline

British archaeologist David Redfern comes to Tunisia to catalog a collection of art relics and stumbles into evidence of a gun-smuggling racket. Hesitant at first to get involved or even to report the information, he becomes convinced he must do the right thing after a young man is murdered. By then, though, the smugglers know Redfern knows too much and they target him for death. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

Introducing the compelling new star discovery of the year....exotic ANOUK!

Genres:

Adventure | Crime | Drama

Certificate:

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Details

Country:

Language:

Release Date:

1 September 1950 (Finland)  »

Also Known As:

Der goldene Salamander  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

A flock of seagulls are squawking around a body floating on the water's surface. A moment later another character has to dive to find the body weighted down well below the surface and not in any position to attract the birds. See more »

Quotes

David Redfern: [reading inscription] 'To Zeus, from Apollodorus. Not by ignoring evil does one overcome it, but by going to meet it.'
Aribi: The world has more evil than a dog fleas. We were given eyes, but for our comfort the wisdom of knowing when to shut them.
See more »

Soundtracks

Clopin Clopant
Music by Bruno Coquatrix
Lyrics by Pierre Dudan (uncredited)
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User Reviews

Sunset on the Mediterranean
24 August 2008 | by (Claremont,USA) – See all my reviews

With her little-girl voice and arched eyebrows, a 17-year old Anouk (Aimee) is a real attention-getter. Having her fall for the much older and plainer Trevor Howard, however, is something of a stretch. Nonetheless, it's a fascinating movie to look at even if the basic plot is unexceptional. Archaeologist Howard travels to north Africa to retrieve shipwrecked treasures that include a golden salamander. There he stumbles across a network of gun- smugglers and hooks up with the exotic Anna (Anouk) in a seedy, atmospheric café. Just who is and who isn't a part of the network generates some suspense.

But the movie's strength is in the acting and the photography. Howard is superb, as usual, while Anouk manages to be both emotionally vulnerable and surprisingly accomplished in her first big part. Special mention should go to Walter Rilla for his super slick version of a gangster kingpin. He looks and acts the sinister role to a proverbial T.

However, what I liked best is what the pro's call "mise-en-scene", ie. the placing of a scene. Someone in production had the great idea of filming on location, along the north African coast line. This results in a number of visually stunning compositions made all the more so by the subtle tonalities that only black& white photography can produce. Catch the romantic scene on the beach with the setting sun in deep-focus background. Color is simply too literal to capture this kind of poetic effect.

The dialogue is spiced up nicely with several exotic pearls of wisdom, but what about that escape scene by the cliff which seems pretty implausible-- how did Hyde-Whyte know a sheep flock would pass at exactly the right time. Or the climax, which seems a little too tame for my liking. Nonetheless, it's one of those movies that's stayed with me over the years for reasons I can't quite pin down. I guess it's something about the authentic crowds along the Arab bazaar or the sheer poetry of that coast line stretching into the distance and beyond. Yes indeed, there's a lot to be said for the old black & white.


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