The story of men at war and that of the esteemed Pulitzer prize winning war correspondent Ernie Pyle. Soon after the U.S. entry into World War II, Pyle joined C Company, 18th Infantry in ... See full summary »
William A. Wellman
The true story of Agnes Newton Keith's imprisonment in several Japanese prisoner-of-war camps from 1941 to the end of WWII. Separated from her husband and with a young son to care for she ... See full summary »
A tribute to the U.S. 442nd Regimental Combat Team, formed in 1943 by Presidential permission with Japanese-American volunteers. We follow the training of a platoon under the rueful command of Lt. Mike Grayson who shares common prejudices of the time. The 442nd serve in Italy, then France, distinguishing themselves in skirmishes and battles; gradually and naturally, Grayson's prejudices evaporate with dawning realization that his men are better soldiers than he is. Not preachy. Written by
Rod Crawford <email@example.com>
Even though the 442nd Regimental Combat Team is the most decorated unit in US Army history, there is only one brief--VERY brief--scene of President Harry S. Truman pinning a medal on a soldier's chest, with no ceremony or dialogue. There is also an earlier reference, almost a throwaway line, by Lt. Grayson (Van Johnson) about awarding a soldier a medal. See more »
During the fire fight in the ancient ruins a 61 mm mortar is set up behind a high stone wall. Had there been real rounds they would of hit the wall above the soldier's heads because the angle of the mortar was not great enough to allow the rounds to clear the wall. See more »
Kanakas. The ones from Hawaii. You know what they call us mainlanders? Kotonks. The way they tell it if you rap on our heads it's like hitting a coconut. Hollow heads, you know? Kotonk, kotonk, kotonk.
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Robert Pirosh wrote his own picture and did a wonderful job of directing it, and 'Go for Broke!', his tribute to Japanese-American volunteers fighting in World War II, is deftly executed with a nice blend of pulse-quickening action and more thought-provoking interludes where white Lieutenant Grayson (Van Johnson), originally prejudiced against the people he is assigned to command, gradually learns to come to terms with the fact that bravery and patriotism are irrelevant to your race or the color of your skin.
That could all be a little too rhetorical for its own good, but Pirosh never over-stresses his point, and his picture is never holier-than-thou. "You see, Sir, I'm from Texas", Grayson says to his superior, but Pirosh lets it go at that and doesn't lash out against Southern bigotry. I really liked the gentle irony of Pirosh' contrasting the idyllic, outdated guidebooks to Italy and France that Grayson reads with the prosaic reality of war-torn countries.
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