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Miss Julie (1951)
"Fröken Julie" (original title)

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Late 19th century. The young miss Julie lives in a mansion with her father. She has recently broken her engagement but is attracted to one of the servants, Jean. They spend the midsummer ... See full summary »

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Title: Miss Julie (1951)

Miss Julie (1951) on IMDb 7.5/10

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Nominated for 1 BAFTA Film Award. Another 1 win. See more awards »
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Cast

Complete credited cast:
Anita Björk ...
Ulf Palme ...
Märta Dorff ...
Kristin, cook
Lissi Alandh ...
Countess Berta, Julie's mother
Anders Henrikson ...
Count Carl, Julie's father
Inga Gill ...
Viola
Åke Fridell ...
Robert
Kurt-Olof Sundström ...
Julie's Fiancé
...
Hand
Margaretha Krook ...
Governess (as Margareta Krook)
Åke Claesson ...
Doctor
Inger Norberg ...
Jan Hagerman ...
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Storyline

Late 19th century. The young miss Julie lives in a mansion with her father. She has recently broken her engagement but is attracted to one of the servants, Jean. They spend the midsummer night together, telling each other their memories and of their dreams. Realizing that an affair between a man of the people and an aristocrat is impossible, they plan to escape to Switzerland. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

30 July 1951 (Sweden)  »

Also Known As:

Miss Julie  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Swedish censorship certificate # 078560 renewed in 1953, 1976 and 1978. See more »

Connections

Version of Fröken Julie (1980) See more »

Soundtracks

After the ball
("Efter balen")
Composed and Written by Charles Harris
Swedish lyrics by Ernst Wallmark
See more »

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User Reviews

 
Visually magnificent and wonderfully performed
15 January 2007 | by (Vancouver, B.C.) – See all my reviews

Based on a well-known play by August Strindberg, Alf Sjoberg's Miss Julie depicts the struggle for survival between classes and genders in late 19th century Sweden that leads to confusion and tragedy. Because of its frank portrayal of sex between a lower-class servant and an upper-class aristocrat, the play was banned in Europe until 1906 and in Britain until 1939. It is highly regarded, however, as an important work in the literary genre that became known as Naturalism. Compellingly played by Anita Bjork who completely captures her character's erratic willfulness, Miss Julie, the 25-year old daughter of Count Carl (Anders Henrikson) is estranged from the society in which she grew up and fights against the restrictions placed on her because of her status.

Julie is a rebel who treats social conventions of the time with disdain, though she still demands to be treated as a proper woman. Having recently broken up with her fiancé (Kurt-Olof Sundström) after what would now be called an S&M incident in which she literally makes him jump through hoops like a trained dog, she is open for sexual adventure. The adventure she finds takes the form of the handsome butler Jean (Ulf Palme) whom she seduces following the drunken revelries celebrating Midsummer Eve, a pagan ritual. It is an act which, though only mildly reprehensible today, was viewed as depraved in Strindberg's time and led to the author's characterization of Julie as being "sick".

Although Jean is engaged to the cook, Christine (Marta Dorff), neither Jean nor his fiancé object because they see the act as an honor due to Julie's social position. The seduction, however, leads to her loss of respect from the servants as well as the loss of her own self respect. To escape from their untenable situation, the two lovers talk about leaving on the next train to Switzerland where Jean fantasizes about owning a hotel but the tangled web they have woven leads to unforeseen consequences.

One of the highlights of the film for me was the seamless inter-mixing of dream intervals and flashbacks from childhood. In her dream, Miss Julie is high up on a ledge or mountain. She can no longer hold on but lacks the courage to come down, though she has a longing to fall. Jean, on the other hand, wants to climb a high tree but is unable to reach the top. In flashbacks, Miss Julie recalls how her mother Berta (Lissi Alandh) saw herself as a feminist who was opposed to marriage and only wanted to be the count's mistress. When she gave birth to a daughter, she exacted her revenge by raising the girl as a boy and carrying on various misdeeds until the estate went bankrupt.

Despite its anachronistic and morbid social outlook, Sjoberg's Miss Julie is not a grim experience. The director lightens it up considerably with country scenes of folk dancing, horseback riding, and rowing, all in an idyllic setting, beautifully photographed by Goran Strindberg. Though it reflects Strindberg's distorted view of women as hysterics, Miss Julie is a superb film and a treat for the senses, both visually magnificent and wonderfully performed. It has a well-deserved reputation as being one of the greatest Swedish films of all time.


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