The new commander of a Navy Underwater Demolition Team--nicknamed "Frogmen"--must earn the respect of the men in his unit, who are still grieving over the death of their former commander and resentful of the new one.
Military investigator Colonel Edwards is assigned a case involving Major Cargill, a Korean War POW who is accused of treason. Although Cargill admits his guilt and Edwards' superiors are ... See full summary »
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André De Toth
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World War II drama in which Richard Widmark, as Lt. Cmdr. John Lawrence, replaces the popular commanding officer of a group of underwater demolition divers. a crew of fiercely independent studs who hang their proverbial hats in Davy Jones' locker. The martinet Lawrence tightens the discipline of the unit, making him mucho unpopular with the macho frogmen. Finally, Lawrence proves himself as more than just a stuffed white shirt, showing he has the cojones to keep up with their peculiar brand of the jones, becoming one of the team by fearlessly defusing a live torpedo at the risk of his own life. Written by
Jon C. Hopwood
Opening credits: This is a true story based on incidents which occurred in the latter part of World War II. It deals with one of the most hazardous and unique branches of the Armed Forces---- the Underwater Demolition Teams. See more »
The triple-tank aqualungs used by the UDT frogmen during the film's climactic mission are incorrect for the WWII period. Although 'Jacques Cousteau', an officer in the French Navy, was working with experimental aqualungs near the end of WWII, U.S. Navy Underwater Demolition Teams did not have them during the war. See more »
Pity 'The Frogmen' isn't yet on DVD. It features the techniques developed and applied by WWII's U.S. Navy UDT (Underwater Demolition Teams), many of which techniques formed the basis for the methods employed by today's SEAL teams - and the UDT's did their bit with rebreather rigs that weren't nearly as sophisticated or reliable as today's high-tech SCUBA and rebreather gear. The UDT's were pioneers on the cutting edge of their mission, an edge the likes of which will not likely be seen again.
A standard plot is redeemed by fine performances from all, and by exciting action sequences that have not dated as much as one might suspect they would have by 2003.
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