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Fourteen Hours (1951)

An unhappy man threatens suicide by standing on the ledge of a high-rise building for 14 hours.

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(screenplay), (story)
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Nominated for 1 Oscar. Another 2 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
Police Ofcr. Charlie Dunnigan
...
Robert Cosick
...
Virginia Foster
...
Ruth
...
Christine Hill Cosick
...
Paul E. Cosick
...
Deputy Police Chief Moskar (as Howard da Silva)
...
Danny Klempner
...
Dr. Strauss
...
Mrs. Louise Ann Fuller
...
Room Service Waiter
...
Police Sgt. Farley
...
Police Sgt. Boyle
Donald Randolph ...
Dr. Benson
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Storyline

A young man, morally destroyed by his parents not loving him and by the fear of being not capable to make his girlfriend happy, rises on the ledge of a building with the intention of committing suicide. A policeman makes every effort to argue him out of that. Written by Tiziana Totaro <susannkey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

From the edge of the ledge he defied them all! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 May 1951 (Argentina)  »

Also Known As:

14 Hours  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Producer Sol C. Siegel won permission from the New York Police Department to rope off a large section of downtown New York as one extensive set. See more »

Goofs

The middle-aged priest climbs 15 flights of stairs, and is not the least bit out of breath. See more »

Quotes

Ofcr. Charlie Dunnigan: If I can con him in closer as he reaches for the glass I can grab for him.
Deputy Chief Moskar: He'd yank you, then both of you'd go over.
Ofcr. Charlie Dunnigan: Not if somebody hung on to me.
Deputy Chief Moskar: He'd yank us all. I don't mind losing you, but I don't want a whole daisy chain of cops sailing out that window.
See more »

Connections

Referenced in At the Movies: Episode #9.1 (2012) See more »

Frequently Asked Questions

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User Reviews

 
They sure made the most of an incredibly simple plot.
10 January 2010 | by (Bradenton, Florida) – See all my reviews

FOURTEEN HOURS begins with Richard Basehart walking onto the ledge outside his hotel room. He's about to jump but can't quite bring himself to do it. A nearby cop (Paul Douglas) looks up and sees him on this ledge on the 15th floor and hurries over to the hotel to try to talk him out of jumping. Soon, his superiors come and relieve him--they'll work on trying to get Basehart down and Douglas simply isn't trained for this sort of thing. However, the so-called experts don't seem to get through to them, so they get Douglas back--after all, he had developed some rapport with the jumper. Soon, a series of family members are brought to help out, though in hindsight his mother (Agnes Moorehead) visiting was probably NOT the best idea. Does he jump or does he chose life? And, why in the first place did he decide to end it all? See for yourself to find out--you won't be sorry you did.

This film has one of the simpler plots I can think of--yet it all seemed to work very well. This is because the film was written so very well and the actors managed to make the most of it--especially Douglas as a sort of "everyman" cop. Taut direction, excellent lighting and a first-class production all around sure helped. Who would have thought such a deceptively ordinary idea could be handled so well?


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