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A young man, morally destroyed by his parents not loving him and by the fear of being not capable to make his girlfriend happy, rises on the ledge of a building with the intention of committing suicide. A policeman makes every effort to argue him out of that. Written by
Tiziana Totaro <email@example.com>
Grace Kelly was noticed during a visit to the set by Gary Cooper, who subsequently starred with her in High Noon (1952). Cooper was charmed by Kelly and said that she was "different from all these sexballs we've been seeing so much of." However, her performance was not noticed by critics, and did not lead to her receiving other film acting roles. She returned to television and stage work after her performance in the film. See more »
Stock rear projection footage of normally-moving motor traffic while Cosick is on ledge is not consistent with huge traffic jam shown in area surrounding hotel where he is threatening suicide leap. See more »
It's not about homosexuality, as film historian/commentator Foster Hirsch wants to believe. It's a noir Hamlet: "You're gonna jump, you're not gonna jump...!" "To be or not to be" is paraphrased by both Dunnigan and Dr. Strauss (Martin Gabel), but it's one of the reporters who quotes the play directly, "The lady doth protest too much." (Hirsch himself compares the cabby-scenes to a Shakespearean comic sub-plot.) Finally found John Cassavettes: he even has a small speaking part. He's the reporter "announcing" Mrs. Cosick's arrival at the hotel...on the telephone, to his paper. (The receiver obscures the lower part of his face.) Richard Basehart was in his 30's at the time. I read somewhere that Fellini told him, "If you could do '14 Hours,' you can do anything," explaining why RB was chosen to play "Il Matto" in "La Strada" ... a tight-rope walker.
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