Victor Marswell runs a big game trapping company in Kenya. Eloise Kelly is ditched there, and an immediate attraction happens between them. Then Mr. and Mrs. Nordley show up for their ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
A young man, morally destroyed by his parents not loving him and by the fear of being not capable to make his girlfriend happy, rises on the ledge of a building with the intention of committing suicide. A policeman makes every effort to argue him out of that. Written by
Tiziana Totaro <email@example.com>
Except for brief scoring under the main titles and at the film's conclusion, the film has no music. See more »
Stock rear projection footage of normally-moving motor traffic while Cosick is on ledge is not consistent with huge traffic jam shown in area surrounding hotel where he is threatening suicide leap. See more »
Ofcr. Charlie Dunnigan:
Look, I almost had him a couple of times. I - I know I can con him in if I can just get my hands on what's bothering him.
See more »
It's not about homosexuality, as film historian/commentator Foster Hirsch wants to believe. It's a noir Hamlet: "You're gonna jump, you're not gonna jump...!" "To be or not to be" is paraphrased by both Dunnigan and Dr. Strauss (Martin Gabel), but it's one of the reporters who quotes the play directly, "The lady doth protest too much." (Hirsch himself compares the cabby-scenes to a Shakespearean comic sub-plot.) Finally found John Cassavettes: he even has a small speaking part. He's the reporter "announcing" Mrs. Cosick's arrival at the hotel...on the telephone, to his paper. (The receiver obscures the lower part of his face.) Richard Basehart was in his 30's at the time. I read somewhere that Fellini told him, "If you could do '14 Hours,' you can do anything," explaining why RB was chosen to play "Il Matto" in "La Strada" ... a tight-rope walker.
10 of 13 people found this review helpful.
Was this review helpful to you?