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Fingerprints Don't Lie (1951)

Approved | | Crime, Drama | 23 February 1951 (USA)
The killing of Mayor Palmer is being placed on Paul Moody by fingerprint expert Jim Stover as Moody's prints were found on the murder weapon. When reporter Brad Evans places doubt in ... See full summary »

Director:

(as Samuel Newfield)

Writers:

(original screenplay) (as Orville Hampton), (based on a story by)
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Cast

Complete credited cast:
...
James Stover
...
Carolyn Palmer
...
Hypo Dorton
...
Prosecuting Attorney
...
Nadine Connell
...
Police Lt. Grayson
Michael Whalen ...
Police Commissioner Frank Kelso
Richard Emory ...
Paul Moody
Dee Tatum ...
Connie Duval
George Eldredge ...
King Sullivan
Rory Mallinson ...
Brad Evans
Karl 'Killer' Davis ...
Rod Barenger (as Karl Davis)
Zon Murray ...
Defense Attorney
Syra Marty ...
Syra - the Blonde Model (as Syra)
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Storyline

The killing of Mayor Palmer is being placed on Paul Moody by fingerprint expert Jim Stover as Moody's prints were found on the murder weapon. When reporter Brad Evans places doubt in Stover's mind that the fingerprints were Moodys, he decides to investigate further with the help of the mayor's daughter Carolyn. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

You Can't Erase The Stamp Of A Killer! See more »

Genres:

Crime | Drama

Certificate:

Approved
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Details

Country:

Language:

Release Date:

23 February 1951 (USA)  »

Also Known As:

Fingerprints  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV) (edited) | (New York opening)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Re-titled and edited down to less than 30 minutes, it was sold to television in the early 1950s as part of a syndicated half-hour mystery show. See more »

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User Reviews

 
A sorry little cheapie
23 December 2007 | by (NY, NY) – See all my reviews

This movie was clearly made on a low budget. Its idea of action is having a character open a balsa wood door. Rarely have I seen a movie so obvious in its poverty.

The lot has potential: A fingerprint expert's testimony sends a man to the chair. He is sure of himself and we don't like him. But he is convinced to reconsider and he does so. Indeed, he tries to solve the mystery. He knows he initially made a mistake.

The actors are rather wooden but OK. What really sinks it are the recurring attempts at comic relief: Sid Melton (of whom I have never before heard) keeps turning up. Generally he is an inept photographer.

Not only do his scenes defy logic: The police know he can't handle a camera. They wouldn't let him keep trying to snap photos at crime scenes. Also, though, he simply is not funny. He pushes so hard as to make Abbott and Costello seem like Restoration Comedy.

(He's demanding, too. It seems as if he keeps wanting us to say how adorable he is. As I say, I have never seen or heard of him before this but he is most unappealing here. And I in fact don't find him adorable.)

The studio must have done what it could to get this thing an audience. But they miscalculated. A terrible product, after all, does not lie.


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