| Yvonne Sanson | ... | Luisa Fanti / Sister Addolorata | |
| Amedeo Nazzari | ... | Guido Canali | |
| Françoise Rosay | ... | La contessa Canali | |
| Folco Lulli | ... | Anselmo Vannini | |
| Enrica Dyrell | ... | Elena | |
| Teresa Franchini | ... | Marta | |
| Gualtiero Tumiati | ... | Don Demetrio | |
| Alberto Farnese | ... | Poldo | |
| Aristide Baghetti | ... | Il padre di Luisa | |
| Enrico Glori | ... | Rinaldi | |
| Olga Solbelli | ... | La madre superiora | |
| Nino Marchesini | ... | Il medico | |
| Rita Livesi | ... | L'infermiera | |
| Giulio Tomasini | ... | Antonio | |
| Enrico Olivieri | ... | Bruno | |
| Rosalia Randazzo | ... | Alda | |
| rest of cast listed alphabetically: | |||
| Giorgio Consolini | ... | Il cantante sul camion (uncredited) | |
| Loris Gizzi | ... | Il direttore del collegio (uncredited) | |
| Sidney Gordon | ... | Un custode (uncredited) | |
| Cesare Lancia | ... | (uncredited) | |
| Felice Minotti | ... | Un custode (uncredited) | |
Directed by | |||
| Raffaello Matarazzo | |||
Writing credits | ||
| Aldo De Benedetti | screenplay & | |
| Ruggero Rindi | novel (as Rindi) & | |
| Salvoni | opera | |
| Raffaello Matarazzo | screenplay (uncredited) | |
Produced by | |||
| Goffredo Lombardo | .... | producer: Titanus | |
| Raffaello Matarazzo | .... | producer: Labor Films | |
Original Music by | |||
| Salvatore Allegra | |||
Cinematography by | |||
| Rodolfo Lombardi | |||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Ottavio Scotti | |||
Set Decoration by | |||
| Gino Brosio | |||
Costume Design by | |||
| Franca Modiano | |||
Makeup Department | |||
| Anacleto Giustini | .... | makeup artist | |
Production Management | |||
| Giuseppe Bordogni | .... | production manager | |
| Valentino Brosio | .... | production supervisor | |
| Federico del Fauro | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ubaldo Maria Del Colle | .... | second assistant director (as Ubaldo M. Del Colle) | |
| Lionello Massobrio | .... | first assistant director | |
| Rometta Pietrostefani | .... | second assistant director | |
Sound Department | |||
| Carlo Zama | .... | sound engineer | |
Camera and Electrical Department | |||
| Guglielmo Lombardi | .... | camera operator | |
Costume and Wardrobe Department | |||
| Maria Antonelli | .... | wardrobe mistress | |
Music Department | |||
| Salvatore Allegra | .... | musical director | |
| Cesare A. Bixio | .... | composer: additional music (as C.A. Bixio) | |
Other crew | |||
| Dhia Cristiani | .... | voice dubbing: Yvonne Sanson (uncredited) | |
| Felice Minotti | .... | production secretary (uncredited) | |
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| Green Dolphin Street | Monsieur Vincent | Anthony Adverse | The Bridge of San Luis Rey | Germinal |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
This is pretty much the same as TORMENTO, only a little more so. More suffering, more vicious villains, more Catholic themes. Sanson and Nazzari both return, again as a couple torn apart by a manipulative mother with her own agenda, again with a newborn child who life hangs in the balance. Narrative nuance is pretty much tossed to the wolves, leaving just one sledgehammer tragedy after another. If you like your melodrama cranked up to the limit, this might be the film for you. I found it enjoyable just to see what happens next, but I can't say I was too invested in the characters.
NOBODY'S CHILDREN - 7/10