In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
Mr. and Mrs. Maitland invite Whitey to their home on a trial basis. Whitey tries to visit a friend in reform school and inmate Flip is hiding in car as Whitey leaves. Flip steals money and ... See full summary »
In 1796, Captain George Brummell of the 10th Royal Hussars Regiment offends the Prince of Wales with his straightforward outspokenness and gets fired from the army but is chosen as the Prince's personal advisor.
Charles returns to Paris to reminisce about the life he led in Paris after it was liberated. He worked on "Stars and Stripes" when he met Marion and Helen. He would marry and be happy ... See full summary »
In this sequel to Father of the Bride (1950), Stanley Banks learns that his daughter Kay is going to have a baby. When they get the news everyone except Stanley is overjoyed. His wife and grandmother-to-be Ellie broadcasts it everywhere and all Stan can do is worry about the practical things like how his son-in-law Buckley can afford it. Well, having not long ago paid for the wedding, Stanley has no intention of bearing any of the expenses involved. Buckley's parents and Ellie are overjoyed at the news and virtually take over redecorating the young couple's new house. Crisis and false alarms take over their lives and when the child is born, the only person he doesn't seem to like is Stanley. A walk in the park - and absolute panic when Stanley misplaces his grandson - seems to resolve the situation. Written by
When Stanley and Kay talk on the swing in the backyard, Stanley's hands change position between shots. See more »
[Telephone rings at night]
Hello. Buckley, do you know what time it is? It's a quarter to three.
I'm sorry, I didn't realize. Is Kay there?
But of course she, where would she be?
Hello, I'll take this downstairs, hang on
[Puts down the receiver & quietly tiptoes downstairs to hall, then picks up the extension phone]
What do you mean. is she here?
Well, I thought if she were there I could come & pick her up if she were there.
When did she leave? What time did she leave?
[...] See more »
The material may be sticky, but the players shine. Fortunately, Tracy's dour reactions keep the soggy motherhood plot from becoming too sweet. His pained grimaces and caustic asides are really quite droll, more amusing however than funny. The young couple, Taylor and Taylor, are right out of a glossy Photoplay, but manage not to be too annoying, while Bennett shows she can do dutiful wives as well as conniving trollops (Scarlet Street, 1945). For some reason the two sons, Tamblyn and Irish, make a brief appearance, then disappear without a trace, and I'm wondering why the script bothered in the first place. Of course, the complications of a first- time baby keep the narrative moving; at the same time, we know perfectly well how things will end. And they do. This is the old MGM dream factory at work even after the boss L.B. Mayer has departed-- big houses, elegant clothes, household servants, and even teenagers with no zits. As the boss himself famously remarked, People don't want to see people like themselves on the big screen, or words to that effect. Not much chance of that here. Still, the movie remains a seductive piece of entertainment, rather like a shiny new suit that doesn't quite fit, but you buy it anyway.
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