A governor planning to run for U.S. Senate has a secret past that could prove damaging to his political aspirations: he's a convicted murderer, and that will come to light if the FBI does ... See full summary »



(screenplay) (as Dwight Babcock), (screenplay) (as Richard Landau) | 1 more credit »

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Cast overview, first billed only:
Glen Stedman
Jeff Donley
Shirley Wayne
Carl Chercourt
Raymond Greenleaf ...
Governor Owen Grisby
Natalie Craig
Don Garner ...
Paul Craig
Alexander Pope ...
George Denning
Richard Monahan ...
Donald (as Richard Monohan)
Television Act (as Tom Noonan)
Television Act (as Pete Marshall)
Jan Kayne ...
Susan (as Joy Lansing)


A governor planning to run for U.S. Senate has a secret past that could prove damaging to his political aspirations: he's a convicted murderer, and that will come to light if the FBI does an investigative check on him. He goes to a local crime boss for help. The racketeer arranges for a low-level FBI employee to take the incriminating file from FBI headquarters, but then she is conveniently murdered. Two FBI agents investigating her murder begin to think that something isn't quite kosher. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis


Woman ... on a Man-hunt


Crime | Drama | Film-Noir


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Release Date:

4 November 1951 (USA)  »

Also Known As:

F.B.I. Girl  »

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Aspect Ratio:

1.37 : 1
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User Reviews

Good cast, irreverent edge make quasi-documentary an unexpected treat
30 April 2003 | by (Western New York) – See all my reviews

Starting with its vistas of Washington, D.C. and one of those damned anthems, FBI Girl looks like another patriotic pageant ad majorem gloriam J. Edgar Hoover. But happily it runs low on idolatry and long on plot, and it turns out to be not only fun but a wee bit irreverent in spots, too.

Its opening gambit proves a bit of a stretch. In Capitol City in a nearby state, venerable Governor Raymond Greenleaf plans a run for the Senate. But if a federal investigating committee takes his fingerprints, his past identity as (what else?) a convicted murderer will come to light. He goes to his shadowy boss (who else?) Raymond Burr, a slick PR man who pulls filthy strings. Burr arranges for a young woman working in the Bureau to pull the incriminating file, after which she's ruthlessly rubbed out. In come unlikely agents Cesar Romero and George Brent to probe the mysterious murder; they enlist the aid of Audrey Totter, another clerk in the same department. But there's another twist: Totter's fiancé (Tom Drake), an ambitious young lobbyist, has close ties to Burr's organization....

Bizarre touches abound that seem inadvertent but together add up to a faintly subversive thread running through the movie. In an era when even long-married couples slumbered in chaste twin beds, two of Totter's roommates share a double (they seem dim-witted, as well, as do most of the low-level FBI personnel encountered). Later, these two blondes entertain Romero, who's waiting for Totter to return; they watch television, and we watch with them, as comics Tommy Noonan and Peter Marshall perform an extended routine. Now and again, the script hones a line to a sharp edge: When one of his henchmen tells Burr not to worry because when he was on the lam in Georgia, even the bloodhounds couldn't catch him, Burr purrs, `You've a stronger smell about you today.'

FBI Girl boasts a strong cast and a good plot, and it manages to rise a few rungs above most of the other cheap crime-documentary titles of its era. Its most arresting aspect lies in sketching the avaricious and powerful culture of lobbyists and spin-meisters that was starting to coalesce in the nation's capital and becoming, in effect a shadow government. Boy, oh boy – doesn't THAT date the movie.

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