| Ingrid Bergman | ... | Irene Girard | |
| Alexander Knox | ... | George Girard | |
| Ettore Giannini | ... | Andrea Casatti | |
| Teresa Pellati | ... | Ines | |
| Giulietta Masina | ... | Passerotto | |
| Marcella Rovena | ... | Mrs. Puglisi | |
| Tina Perna | ... | Cesira | |
| Sandro Franchina | ... | Michele Girard | |
| Giancarlo Vigorelli | ... | Judge | |
| Maria Zanoli | ... | Mrs. Galli | |
| Silvana Veronese | |||
| William Tubbs | ... | Professor Alessandrini | |
| Alberto Plebani | ... | Mr. Puglisi | |
| Eleonora Barracco | |||
| Alfred Brown | ... | Hospital Priest | |
| Alfonso Di Stefano | |||
| Gianna Segale | ... | Nurse | |
| Antonio Pietrangeli | ... | Psychiatrist | |
| Vera Wicht | |||
| Francesca Uberti | |||
| Gerda Forrer | |||
| Charles Moses | |||
| Gipsy Kiss | |||
| Marinella Marinelli | |||
| Graziella Polacco | |||
| Erik Blythe | (as Eric Blythe) | ||
| Dany Guy | |||
| Bruno Armonioso | |||
| rest of cast listed alphabetically: | |||
| Mariemma Bardi | |||
| Barbara Berg | |||
| Giuseppe Chinnici | |||
| Elisabetta Cini | |||
| Attilio Dottesio | |||
| Carlo Hinterman | |||
| Mary Jokam | |||
| Rodolfo Lodi | |||
| Rossana Rory | |||
| Alessio Ruggeri | |||
| Jane Sprague | |||
| Bernardo Tafuri | |||
| Dianora Veiga | |||
Directed by | |||
| Roberto Rossellini | |||
Writing credits | ||
| Roberto Rossellini | (story) | |
| Roberto Rossellini | (written by) and | |
| Sandro De Feo | (written by) and | |
| Mario Pannunzio | (written by) and | |
| Ivo Perilli | (written by) and | |
| Brunello Rondi | (written by) | |
| Diego Fabbri | uncredited | |
| Federico Fellini | uncredited | |
| Massimo Mida | idea (uncredited) | |
| Antonio Pietrangeli | uncredited | |
| Donald Ogden Stewart | uncredited | |
| Antonello Trombadori | idea (uncredited) | |
Produced by | |||
| Dino De Laurentiis | .... | associate producer | |
| Carlo Ponti | .... | associate producer | |
| Roberto Rossellini | .... | producer | |
Original Music by | |||
| Renzo Rossellini | |||
Cinematography by | |||
| Aldo Tonti | |||
Film Editing by | |||
| Jolanda Benvenuti | (as Iolanda Benvenuti) | ||
Production Design by | |||
| Virgilio Marchi | |||
Set Decoration by | |||
| Ferdinando Ruffo | |||
Production Management | |||
| Bruno Todini | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marcello Caracciolo Di Laurino | .... | second assistant director (as Marcello Caracciolo) | |
| William Demby | .... | second assistant director | |
| Marcello Girosi | .... | assistant director | |
| Antonio Pietrangeli | .... | second assistant director | |
Sound Department | |||
| Piero Cavazzuti | .... | recording supervisor | |
| Paolo Uccello | .... | assistant sound | |
Camera and Electrical Department | |||
| Luciano Tonti | .... | assistant camera | |
| Luciano Tonti | .... | camera operator | |
Costume and Wardrobe Department | |||
| Fernanda Gattinoni | .... | costumes: Miss Bergman | |
Editorial Department | |||
| Sandro Corbo | .... | assistant editor | |
Music Department | |||
| Renzo Rossellini | .... | conductor | |
Other crew | |||
| Pio Angeletti | .... | production assistant | |
| Sandro Corso | .... | script supervisor | |
| Trento Petrella | .... | production assistant | |
| Nando Pisani | .... | production assistant | |
| Federico Teti | .... | production assistant | |
| Lidia Simoneschi | .... | voice dubbing: Ingrid Bergman (uncredited) | |
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| 8½ | Rome, Open City | Les Miserables | Luther | Fellini Satyricon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Ingrid Bergman highlights in this compelling melodrama about a burgeois mother who becomes aware of the unfortunate social classes after the loss of a son. The film goes a step further and can also be read as the social portrait of the European status quo after the Great War. Some dialogs may appear evident and simplistic as far as ideology is concerned, but the impressive conclusion and the characteristic Rossellini's style makes it one of the most interesting films of his director and a valuable document about psychological war consequences which hasn't loose relevance.